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Holy Wars © Mark Hanson Photography
Debut, Music, Music Videos, PremieresJune 28, 2017<June 28, 2017

Premiere: The Turmoil and Triumph of Holy Wars’ “Orphan”

by Mitch Mosk
Manchester Orchestra © Mike Dempsey
Essays, Features, Music, ReviewsJune 28, 2017<July 3, 2017

Editorial: Why Manchester Orchestra Deserves “The Gold”

by Kelly Wynne
Two Cheers © 2017
Music, PremieresJune 28, 2017<June 28, 2017

Premiere: Inspiration & Infatuation on Two Cheers’ “Over My Shoulder”

by Mitch Mosk
Do Whatchu Want to Me - NoMBe single art
Columns, Features, Music, Today's SongJune 28, 2017<June 28, 2017

Today’s Song: NoMBe’s Intoxicating Summer Love Song “Do Whatchu Want to Me”

by Mitch Mosk
Evolve - Imagine Dragons album art
Features, Music, Reviews, RoundtableJune 27, 2017<June 29, 2024

Roundtable Discussion: A Review of Imagine Dragons’ ‘Evolve’

by Atwood Magazine Staff
Atwood Magazine Summer 2017 playlist
Music, PlaylistsJune 27, 2017<June 27, 2017

Playlist: Sounds of Summer 2017

by Atwood Magazine Staff
Caitlin Eadie © 2017
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: The Intimate Howl of Caitlin Eadie’s Anthemic “Wolf Cry”

by Mitch Mosk
Do You Ever - Cardboard Foxes artwork
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: Cardboard Foxes Capture Summer’s Kiss on “Do You Ever?” (feat. Kenyo)

by Mitch Mosk
Beach Fossils © 2017
Music, Our Take, ReviewsJune 27, 2017<June 27, 2017

Our Take: Beach Fossils Are Revitalized in ‘Somersault’

by Shayna Chabrow
Swans 2014 press photo
Columns, Music, Today's SongJune 27, 2017<June 27, 2017

Today’s Song: Swans’ “Oxygen” Injects Adrenaline into Your Ear Drums

by Lucas Koprowski
Dakota Blue - "Aw Man" still
Music, Music Videos, PremieresJune 26, 2017<June 26, 2017

Premiere: Escape into Another World with Dakota Blue’s “Aw Man”

by Mitch Mosk
Devereaux © 2017
Music, PremieresJune 26, 2017<June 26, 2017

Premiere: Do You Remember “Kapowski,” Devereaux?

by Maggie McHale
Time, Color - The Big Drops
Debut, Music, PremieresJune 23, 2017<June 23, 2017

Album Premiere: The Big Drops’ Debut ‘Time, Color’ Offers Adventure & Respite

by Mitch Mosk
DREAMERS © 2017
Music, PodcastJune 23, 2017<June 23, 2017

Sugar High Podcast: Two Hours with DREAMERS

by Danny Carissimi
S.T.T. - Beta Days album art
Debut, Features, Music, Premieres, ReviewsJune 23, 2017<June 29, 2017

Album Premiere: Beta Days Capture Real Life on Debut ‘S.T.T.’

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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