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The Long Fall © 2017
Music, PremieresApril 11, 2017<April 11, 2017

Premiere: The Long Fall’s “Battle Cries” Honors the Human Spirit

by Mitch Mosk
Souvenir Driver © Heather Boyd
Music, Music Videos, PremieresApril 10, 2017<April 10, 2017

Video Premiere: Connection and Longing on Souvenir Driver’s “Sunsets”

by Mitch Mosk
Julian Fulton © 2017
Music, PremieresApril 10, 2017<April 10, 2017

Premiere: Motivation and Moxie in Julian Fulton’s “Howl”

by Mitch Mosk
Cold War Kids © Dan Monick
Features, Interviews, MusicApril 10, 2017<August 10, 2020

Success and Sacrifice: Cold War Kids Discuss New Album ‘LA Divine’

by Mitch Mosk
QTY © Danny North
Features, Music, Reviews, This Just InApril 10, 2017<September 18, 2017

This Just In: QTY Shines in “Ornament”

by Nicole Almeida
Luxury Death © 2016
Music, ReviewsApril 7, 2017<April 7, 2017

Review: Indulge in the Contrasts of Luxury Death’s ‘Glue’

by Lindsay Call
Maxim Ludwig © Lena Pentelute
Debut, Features, Interviews, Music, PremieresApril 7, 2017<April 8, 2017

Premiere: He Won’t “W8 4 U,” but Maxim Ludwig is One Charming Motherf*****

by Mitch Mosk
The Big Moon © Charlotte Patmore
Debut, Music, ReviewsApril 7, 2017<April 7, 2017

Review: ‘Love in the 4th Dimension’ Leaves You Melting Over The Big Moon

by Nicole Almeida
Jukebox the Ghost Stay the Night © 2017
Features, Music, Reviews, This Just InApril 6, 2017<April 15, 2017

This Just In: Jukebox the Ghost Seize the Moment in “Stay the Night”

by Mitch Mosk
A Good Night in the Ghetto - Kamaiyah
Columns, Debut, Music, Music You Should Know, ReviewsApril 6, 2017<March 24, 2026

Music You Should Know: Reflecting on the Importance of Youth in Kamaiyah’s ‘A Good Night in the Ghetto’

by Sydney Sweeney
Tabah © Taylor Donskey
Music, Music Videos, PremieresApril 6, 2017<March 2, 2025

Video Premiere: Chaos, Reality, and Truth on Tabah’s Feverish “Noble”

by Mitch Mosk
Alvvays - Alvvays
Columns, Music, Time MachineApril 6, 2017<February 14, 2024

Time Machine: Financial Stability and Commitment, for Alvvays

by Erika Kooda
Lux Pacific © 2017
Music, PremieresApril 5, 2017<April 5, 2017

Premiere: Lux Pacific’s Debut “Edge of Horizon” Radiates with West Coast Warmth

by Mitch Mosk
Said The Whale © Taby Cheng
Features, Music, ReviewsApril 5, 2017<April 5, 2017

The Unpredictable Past: A Review of Said the Whale’s ‘As Long As Your Eyes Are Wide’

by Christine Costello
Jonny P © Jessica Wardwell
Music, Music Videos, PremieresApril 5, 2017<April 5, 2017

Video Premiere: Jonny P Pleads for Love on “Stand By” (acoustic)

by Brandon Payano
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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