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PATV Splashh The Britany's tour poster 2017
Concerts, MusicFebruary 7, 2017<February 7, 2017

A Bunch of “Good Boys”: Public Access T.V., Splashh, and The Britanys at Schubas, Chicago

by Erika Kooda
Nothing Yet - Surf Curse
Columns, Music, Today's SongFebruary 7, 2017<February 6, 2017

Today’s Song: Surf Curse Run Through Life Dazed and Confused on “The Strange and the Kind”

by Shayna Chabrow
Strange Lot © 2017
Features, Music, PremieresFebruary 6, 2017<February 6, 2017

Exclusive Premiere: Strange Lot Comes to a Realization in “Gods & Clods”

by Nicole Almeida
2NE1 © 2017
Columns, Music, Today's SongFebruary 6, 2017<February 6, 2017

Today’s Song: K-Pop’s 2NE1 Bid a Solemn Farewell on “Goodbye”

by Kevin Young
Making Matters Worse - Le Trouble
Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: An Emphasis on Catharsis in Le Trouble’s ‘Making Matters Worse’ LP

by Alex Killian
Expiration Date - Brett Gleason single cover
Features, Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: “Expiration Date,” Brett Gleason’s Funeral Dirge for Lost Love

by James Crowley
Rosie Carney © Lisa Byrne
Columns, Music, Today's SongFebruary 3, 2017<January 21, 2020

Today’s Song: Of Self-Confession and Strength – Rosie Carney’s “Awake Me”

by Lindsay Call
Souvenir Driver © Heather Boyd
Features, Music, Our Take, ReviewsFebruary 2, 2017<February 2, 2017

Our Take: Souvenir Driver Present the 4 Stages of Grief on Powerful Anti-Trump EP

by Mitch Mosk
The xx © Laura Coulson
Music, Our Take, ReviewsFebruary 2, 2017<May 9, 2017

Our Take: The xx’s “I See You” Is a Noncommittal Surrender of Silence

by Sydney Sweeney
Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

by Mitch Mosk
Car Seat Headrest © Matador Records
Columns, Music, Today's SongFebruary 2, 2017<September 14, 2024

Don’t Drink & Drive Please: Car Seat Headrest’s “Drunk Drivers/Killer Whales”

by Erika Kooda
Judah & the Lion © Chloe Horseman
Features, Interviews, MusicFebruary 1, 2017<February 1, 2017

Nothing but Authenticity and Folk Hop: A Conversation with Judah & the Lion

by Renae Weaver
The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

by James Crowley
Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

by Mitch Mosk
Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

by K
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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