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The Driver Era's Rocky and Ross Lynch © Will Wark
Features, Interviews, MusicApril 18, 2025<April 18, 2025

“Pursuing Purpose”: The Driver Era’s Rocky and Ross Lynch on Crafting ‘Obsession’ in the Digital Age

by Nasim Elyasi
Olive Klug © Alex Steed
Music, Music Videos, PremieresApril 18, 2025<April 18, 2025

Premiere: Olive Klug Channels Their Inner Paul Simon in the Freewheeling “Train of Thought,” a Spirited Folk Fever Dream

by Mitch Mosk
Avery Friedman © Mamie Heldman
Debut, Features, Interviews, Music, PremieresApril 17, 2025<April 17, 2025

Album Premiere: Avery Friedman Debuts with ‘New Thing,’ a Raw Reckoning of Becoming, Belonging, & Bold Self-Expression

by Mitch Mosk
Joan Baez "Diamonds and Rust"
Columns, Music, Nostalgia TracksApril 17, 2025<April 17, 2025

“Diamonds and Rust”: The Haunting of Joan Baez

by Audrey Connelly
The Army, The Navy © Lucy Black
Features, Interviews, MusicApril 17, 2025<April 17, 2025

The Army, The Navy Air Their “Dirty Laundry”: Rising Duo Talk Touring, New Music, Mantras, and the Power of Community

by Noa Jamir
Nami © 2025
Columns, Interviews, Music, Today's SongApril 17, 2025<December 15, 2025

“I’m a Student First, Artist Second”: Nami Debuts with Catchy Songwriting, Playful Intensity, & Raw, Unfiltered Self-Expression

by Mitch Mosk
Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

by Madeleine Eggen
The Two Seasons © Olivia Alonso Gough
Music, PremieresApril 16, 2025<April 16, 2025

Premiere: The Two Seasons Riff on Depression, Disassociation, & Digital Decay in “Simulator”

by Mitch Mosk
Mint Simon and Tafari Anthony © Steph Dinsdale
Columns, Music, Today's SongApril 16, 2025<April 16, 2025

Today’s Song: You’ll “Feel Better” with Mint Simon & Tafari Anthony’s Radiant Anthem of Love, Longing, & Liberation

by Mitch Mosk
Matilda Mann © Katie Silvester
Debut, Features, Interviews, MusicApril 15, 2025<April 15, 2025

“This Is Me as an Artist”: Matilda Mann Steps into Herself on Debut Album ‘Roxwell,’ a Record of Self-Discovery, Sonic Freedom, & Coming-of-Age Catharsis

by Kelly McCafferty Dorogy
Switchfoot & Buddy Guy © 2025
Columns, Interviews, Music, Today's SongApril 15, 2025<April 15, 2025

Interview: Switchfoot Pay Electrifying Tribute to Blues’ “Last Man Standing” in a Fiery Anthem ft. Buddy Guy

by Aileen Goos
Madison Hughes © Libby Danforth
Debut, Features, Interviews, MusicApril 14, 2025<April 15, 2025

Feature: Nashville’s Madison Hughes Gives Her Everything on ‘All That I Am’

by Emily Frances Algar
Showpony © Eddi M
Columns, Debut, Music, Today's SongApril 14, 2025<April 14, 2025

Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine”

by Miranda Urbanczyk
Bottle Rockets © Rosie Sco
Columns, Music, Today's SongApril 12, 2025<April 12, 2025

Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem

by Mitch Mosk
Atwood Magazine's 117th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025

Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC!

by Mitch Mosk
Posts pagination
1 … 66 67 68 69 70 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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