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DD Allen © Rachel DiBiaso
Music, PremieresMarch 4, 2025<March 4, 2025

Premiere: DD Allen’s “I See You in the Dark” Shines With Hope, Heart, and a Rebel’s Resolve

by Mitch Mosk
DJ Minx © 2025
Black History Month, Essays, MusicMarch 4, 2025<March 19, 2025

“My Black Journey to Queendom”: An Essay by DJ Minx for Black History Month

by Guest Writer
The Weeknd © 2025
Music, ReviewsMarch 4, 2025<March 4, 2025

Review: The Weeknd’s ‘Hurry Up Tomorrow’ Is a Gorgeously Painful Masterpiece on Forgiveness, Healing, & the Tribulations of Fame

by Lauren Turner
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongMarch 4, 2025<March 4, 2025

Lucy Dacus Escapes Love With “Best Guess” and “Limerence”

by Marc Maleri
Sy Ari Da Kid © Chase Gozy
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“The Last Shadow in the Shade”: An Essay by Sy Ari Da Kid for Black History Month

by Guest Writer
The Lumineers © Noah Griffel
Features, Interviews, MusicMarch 3, 2025<March 3, 2025

The Magic of The Lumineers: An ‘Automatic’ Interview With Jeremiah Fraites

by Kelly McCafferty Dorogy
Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

by Annaliese Baker
Selena Gomez, Benny Blanco, & Gracie Abrams © Aidan Cullen
Columns, Music, Today's SongMarch 3, 2025<March 3, 2025

Today’s Song: Selena Gomez, Benny Blanco, & Gracie Abrams Navigate Heartbreak and Hope in “Call Me When You Break Up”

by Danielle Holian
Chioke © Quincey Best
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“When in Doubt”: Two Poems by Chioke for Black History Month

by Guest Writer
Joy Clark © Steve Rapport
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“Finding Inspiration, Creativity, & Connection Right Around Me”: An Essay by Joy Clark for Black History Month

by Guest Writer
Julien Baker & TORRES © Ebru Yildiz
Columns, Music, Today's SongMarch 2, 2025<March 2, 2025

“Sylvia, don’t forget me”: Julien Baker & TORRES’ Soul-Stirring Ode to Unconditional Love

by Mitch Mosk
Stevie Bill "Fan" © Monique Penders
Columns, Music, Today's SongMarch 1, 2025<March 1, 2025

“Don’t Spoil My Appetite”: Stevie Bill’s “Fan” Is a Euphoric Love Letter to the the Fever of Fandom

by Mitch Mosk
Atwood Magazine's 2025 Black History Month playlist!
Black History Month, Features, Music, PlaylistsFebruary 28, 2025<March 1, 2025

Celebrating Black Art & Artistry: Our 2025 Black History Month Soundtrack!

by Atwood Magazine Staff
Atwood Magazine's 112th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 28, 2025<March 7, 2025

Editor’s Picks 112: Gordi, Mt. Joy, Carla Aakre, Father John Misty, Jensen McRae, & Sam Fender!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 27, 2025
Columns, Features, Music, Weekly RoundupFebruary 28, 2025<March 3, 2025

Atwood Magazine’s Weekly Roundup: February 28, 2025

by Atwood Magazine Staff
Posts pagination
1 … 66 67 68 69 70 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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