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Hippo Campus © Brit O'Brien
Features, Interviews, MusicNovember 12, 2024<November 12, 2024

“Serenity Prayer Type Shit”: A Conversation With Hippo Campus

by Kate Millar
Peter Elkas "SWEET SPOT" © Atiya May Elkas
Columns, Music, Today's SongNovember 12, 2024<November 12, 2024

Basking in the “SWEET SPOT” With Peter Elkas’ Dreamy, Sun-Kissed Yacht Rock Reverie

by Mitch Mosk
George Harrison © Aidan Moyer
Features, Music, ReviewsNovember 10, 2024<November 11, 2024

“Don’t Let Me Wait Too Long”: An Advance Look at George Harrison’s ‘Living in the Material World’ Remastered

by Aidan Moyer
FKA twigs "Eusexua" © Jordan Hemingway
Columns, Music, Today's SongNovember 10, 2024<November 10, 2024

“Eusexua”: Beyond Love, a Transcending Hymn to Life by FKA twigs

by Dimitra Gurduiala
Somebody's Child © Jim Fuller
Columns, Music, Today's SongNovember 9, 2024<November 9, 2024

Today’s Song: Somebody’s Child Steps into a New Era with Reflective “Time of My Life”

by Danielle Holian
SASAMI © Andrew Thomas Huang
Columns, Music, Today's SongNovember 8, 2024<November 8, 2024

Today’s Song: Merging With the Feelings and Complexity of SASAMI’s “Slugger”

by Bárbara Martínez Campuzano
Brooke Alexx © Neil Schwartz
Debut, Features, Interviews, MusicNovember 7, 2024<November 7, 2024

Interview: Brooke Alexx on Authenticity and the DIY Approach Behind ‘Big Mouth’

by Frankie Rose
Suki Summer © 2024
Columns, Music, Today's SongNovember 7, 2024<November 7, 2024

Today’s Song: Suki Summer’s “Nothing At All” Is a Bold Anthem for Modern Independence

by Danielle Holian
Buddie © Tyler McLeod
Columns, Music, Today's SongNovember 6, 2024<November 6, 2024

Today’s Song: Buddie Call Out a Broken System in “Impatient,” a Hard-Hitting Grunge Pop Vent Session

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 5, 2024
Columns, Features, Music, Weekly RoundupNovember 6, 2024<November 7, 2024

Atwood Magazine’s Weekly Roundup: November 6, 2024

by Atwood Magazine Staff
deary © Grace Easton
Features, Interviews, Music, Track-by-TrackNovember 5, 2024<November 5, 2024

“Anxious, Intense, & Fragile”: deary’s Dream Pop Universe Evolves and Expands With ‘Aurelia’ EP

by Mitch Mosk
Fox Jackson 'So Divine' © Emma Last
Interviews, MusicNovember 5, 2024<November 5, 2024

“Fresh, Funky, & Flirtatious”: Fox Jackson Is a True Romantic in ‘So Divine’

by Joe Beer
Declan Welsh and the Decadent West "Inaction" © Graham Noble
Columns, Music, Today's SongNovember 5, 2024<November 5, 2024

Today’s Song: Declan Welsh and the Decadent West’s Feverish Anti-War Protest Anthem, “Inaction”

by Mitch Mosk
The Theatreship © Frederick Bloy
Columns, Music, Sounds From the GroundNovember 4, 2024<November 4, 2024

Sounds From the Ground: The Theatreship, London, 12 October 2024

by Frederick Bloy
Brat and it’s completely different but also still brat - Charli XCX
Music, ReviewsNovember 4, 2024<November 4, 2024

Charli xcx Closes Out the Brat Era With the Nuanced ‘Brat and it’s completely different but also still brat’

by Marc Maleri
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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