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Kim Deal © Steve Gullick
Columns, Debut, Music, Today's SongNovember 23, 2024<November 23, 2024

“Now is the time for me to get what I want”: The Quiet Confidence of Kim Deal’s “A Good Time Pushed”

by Stephanie Bento
Bathe Alone’s Bailey Crone © Lindsay Thomaston
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce

by Mitch Mosk
Lia Pappas-Kemps © Oscar Tam
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut

by Mitch Mosk
Father John Misty 'Mahashmashana' © Ward & Kweskin
Music, ReviewsNovember 22, 2024<November 22, 2024

Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On

by Josh Bloom
Little Hag © Melissa McLaughlin
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024

“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream

by Mitch Mosk
WILDBERRY © ORB HAUS
Debut, Features, Interviews, MusicNovember 21, 2024<November 21, 2024

“I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’

by Isabella Le
Labi Siffre
Columns, Music, Nostalgia TracksNovember 21, 2024<November 21, 2024

Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song

by Audrey Connelly
Small Changes - Michael Kiwanuka
Music, ReviewsNovember 21, 2024<November 22, 2024

Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound

by Liv Goodbody
flipturn © Amanda Laferriere
Music, Premieres, ReviewsNovember 21, 2024<November 21, 2024

Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds

by Guest Writer
Atwood Magazine's Weekly Roundup | November 20, 2024
Columns, Features, Music, Weekly RoundupNovember 20, 2024<November 27, 2024

Atwood Magazine’s Weekly Roundup: November 20, 2024

by Atwood Magazine Staff
The Slow Readers Club © Liam Maxwell
Columns, Music, Today's SongNovember 20, 2024<November 20, 2024

“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos

by Mitch Mosk
KAIRO © Léo Joubert
Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024

Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’

by Mitch Mosk
George Brown
Interviews, MusicNovember 19, 2024<November 19, 2024

Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’

by Josh Weiner
Nieve Ella © Mollie McKay
Columns, Music, Today's SongNovember 19, 2024<November 19, 2024

Nieve Ella, the GOAT of Grunge Indie Pop, Arrives With “Ganni Top (She Gets What She Needs)”

by Brianna Corrine
Never Ending Fall © Austin Cieszko
Columns, Music, Today's SongNovember 18, 2024<November 18, 2024

“Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL”

by Mitch Mosk
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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