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Cornelia Murr © Rett Rogers
MusicNovember 16, 2024<November 16, 2024

Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By”

by Marc Maleri
Chalk © Aaron Cunningham
Columns, Music, Today's SongNovember 15, 2024<November 15, 2024

Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me”

by Mitch Mosk
Duff McKagan © Emma Schoors
Concerts, Music, ReviewsNovember 15, 2024<November 15, 2024

Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles

by Emma Schoors
Only Music Makes Me Cry Now - Becky and the Birds
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024

Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’

by Mitch Mosk
Bec Sykes 'Pepperpot Magic' © Jeff Andersen Jnr.
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’

by Mitch Mosk
Sebastian Schub © Emelia Staugaard
Artist to Watch, Columns, Interviews, Music, Today's SongNovember 14, 2024<November 14, 2024

Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 13, 2024
Columns, Features, Music, Weekly RoundupNovember 14, 2024<November 14, 2024

Atwood Magazine’s Weekly Roundup: November 14, 2024

by Atwood Magazine Staff
The Brook & The Bluff © Bryant Bural & Noah Tidmore
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’

by Mitch Mosk
She's in Parties © Polocho
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024

“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP

by Mitch Mosk
Holly Lovell © Eric Yochim
Music, PremieresNovember 13, 2024<November 15, 2024

Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You”

by Mitch Mosk
Mood Bored © Michèle Margot
Artist to Watch, Music, Music Videos, PremieresNovember 13, 2024<November 15, 2024

“Don’t you wanna break?”: Mood Bored Premiere Their Grungy Angst-Fueled Fever Dream, “All the Time”

by Mitch Mosk
Nerina Pallot © Tommy Reynolds
Features, Interviews, MusicNovember 13, 2024<November 15, 2024

“It Hurts a Lot Until It Hurts a Little”: Nerina Pallot Discusses Her Eighth Album, ‘A Psalm for Emily Salvi’

by Emily Frances Algar
Elizma © 2024
Columns, Music, Today's SongNovember 13, 2024<November 15, 2024

Today’s Song: Elizma Unpacks Emotion & Explores Heartache on “What’s in My Head”

by Danielle Holian
Izzy Outerspace © Troy Conrad
Music, Music Videos, PremieresNovember 12, 2024<November 12, 2024

Premiere: Floating Through Izzy Outerspace’s Dreamy, Aching “Beautiful Blur”

by Mitch Mosk
Songs Of A Lost World - The Cure
Music, ReviewsNovember 12, 2024<November 12, 2024

On the Precipice of Existence: Reviewing The Cure’s ‘Songs of a Lost World’

by David Buyze
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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