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Atwood Magazine's Weekly Roundup | April 28, 2025
Columns, Features, Music, Weekly RoundupApril 28, 2025<May 1, 2025

Atwood Magazine’s Weekly Roundup: April 28, 2025

by Atwood Magazine Staff
Momma © Jazon Whittington
Features, Interviews, MusicApril 28, 2025<April 28, 2025

Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’

by Juls Patterson
bat zoo © Hannah Riedel
Debut, Music, Music Videos, PremieresApril 28, 2025<April 28, 2025

Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection

by Mitch Mosk
The Murder Capital © Hugo Comte
MusicApril 28, 2025<April 27, 2025

Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life”

by Adam Davidson
YUNGBLUD "Lovesick Lullaby" © Tom Pallant
Columns, Music, Today's SongApril 27, 2025<April 27, 2025

Today’s Song: YUNGBLUD’s “Lovesick Lullaby” Is a Brit-Rock Blitz

by Danielle Holian
Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

by Annaliese Baker
d4vd 'WITHERED' © Max Durante
Debut, Features, Interviews, MusicApril 25, 2025<June 19, 2025

“Fully and Unadulteratedly Mine”: d4vd Reflects on Personal Evolution, the Art of Worldbuilding, and Beauty in Serendipitous Timing on ‘WITHERED’

by Isabella Le
Samia 'Bloodless' © Graham Tolbert
Features, Interviews, MusicApril 25, 2025<April 26, 2025

Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self

by Nasim Elyasi
Coby Brown © 2025
Essays, MusicApril 25, 2025<April 25, 2025

Essay: “Let Me Travel Like a Trail” by Coby Brown

by Guest Writer
Adam Melchor © Caro Knapp
Columns, Music, Today's SongApril 25, 2025<April 25, 2025

Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection

by Mitch Mosk
Martha Wainwright © 2025
Features, Interviews, MusicApril 24, 2025<September 5, 2025

“I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself

by Nasim Elyasi
Bon Iver 'SABLE, fABLE' © Graham Tolbert 8.6
Music, Our Take, ReviewsApril 24, 2025<April 24, 2025

Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation

by Danielle Holian
Gemma Laurence © Charlotte Schweiger
Columns, Features, Interviews, Music, Today's SongApril 23, 2025<April 23, 2025

Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines”

by Sophie Severs
Lucy Kruger & The Lost Boys © Holger Nitschke
Music, PremieresApril 23, 2025<April 22, 2025

Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence

by Marissa DeLeon
Atwood Magazine's 118th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025

Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo!

by Mitch Mosk
Posts pagination
1 … 65 66 67 68 69 … 736

Brand New

  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot

:: discover something new ::

Recent Posts

  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
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