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Atwood Magazine's Weekly Roundup | February 27, 2025
Columns, Features, Music, Weekly RoundupFebruary 28, 2025<March 3, 2025

Atwood Magazine’s Weekly Roundup: February 28, 2025

by Atwood Magazine Staff
Cornelia Murr © Laura-Lynn Petrick
Features, Interviews, MusicFebruary 28, 2025<February 28, 2025

Interview: Cornelia Murr on Her Artistic Evolution, the Journey Home, & Sophomore Album ‘Run to the Center’

by Marc Maleri
Sean Haefeli © Kimani Schumann
Black History Month, Essays, MusicFebruary 28, 2025<February 28, 2025

“Reverence, Resonance, Amplified Future”: An Essay by Sean Haefeli for Black History Month

by Guest Writer
Wishy © Athena Merry
Columns, Music, Today's SongFebruary 28, 2025<February 28, 2025

Today’s Song: Anxiety Can Be Burdensome, But Wishy Implore You to Be Weightless & “Fly”

by Kevin Cost
Mobley © 2025
Black History Month, Essays, MusicFebruary 27, 2025<February 28, 2025

#000: A Poem by Mobley for Black History Month

by Guest Writer
KARABA © Paulo Vivanco
Black History Month, Music, PlaylistsFebruary 27, 2025<March 19, 2025

“The Sound of Afro House”: A Black History Month Playlist by KARABA

by Guest Writer
ROZET © 2025
Black History Month, Essays, MusicFebruary 27, 2025<February 27, 2025

“The Power of Black Family – How a Brother-and-Sister Musical Duo Broke Apart & Found Its Way Back Together”: An Essay by ROZET for Black History Month

by Guest Writer
Danny Singh © 2025
Black History Month, Essays, MusicFebruary 27, 2025<February 27, 2025

“Embracing Creativity and Shaping PUNKNB as a Guyanese Kid from Queens”: An Essay by Danny Singh for Black History Month

by Guest Writer
Love Spells © Dan Franco
Columns, Music, Today's SongFebruary 27, 2025<February 27, 2025

Today’s Song: Love Spells’ Dark & Stormy “Lovers Only” and the Haunting Ache of Unrequited Love

by Mitch Mosk
WIL$ON © Aaron “Cook” Dorsey
Black History Month, Essays, MusicFebruary 27, 2025<February 27, 2025

“I Deserve It All”: An Essay by WIL$ON for Black History Month

by Guest Writer
BL Suede © 2025
Black History Month, Essays, MusicFebruary 27, 2025<March 3, 2025

“Afro House, Neoliberalism, & the Backlash Against Blackness”: An Essay by BL Suede for Black History Month

by Guest Writer
Dali Rose © Shervin Lainez
Black History Month, Essays, MusicFebruary 27, 2025<February 27, 2025

“Toys Killing Toys”: An Essay by Dali Rose for Black History Month

by Guest Writer
Goo Goo Dolls © Maxine Evans
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Goo Goo Dolls’ Robby Takac Reflects on 30 Years of ‘A Boy Named Goo’ and the Band’s Never-Ending Evolution

by Mitch Mosk
Down North
Black History Month, Essays, MusicFebruary 26, 2025<March 11, 2025

“The ‘So What’ Mentality – Reclaiming Black Art & Ownership”: An Essay by Anthony Briscoe for Black History Month

by Guest Writer
Pan Amsterdam © Louise Mason
Black History Month, Essays, MusicFebruary 26, 2025<February 26, 2025

“On Identity – A Look into Integration from One Artist’s Experience”: An Essay by Pan Amsterdam for Black History Month

by Guest Writer
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Brand New

  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country

:: discover something new ::

Recent Posts

  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
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