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Heaven © 2025
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025

“Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender

by Mitch Mosk
Brielle Brown © Maria Wurtz
Columns, Music, Today's SongApril 11, 2025<April 11, 2025

Today’s Song: Brielle Brown’s “Blessing” Is a Stirring Call for Resilience & Hope

by Chloe Robinson
Atwood Magazine's Weekly Roundup | April 11, 2025
Columns, Features, Music, Weekly RoundupApril 11, 2025<April 16, 2025

Atwood Magazine’s Weekly Roundup: April 11, 2025

by Atwood Magazine Staff
Japanese Breakfast © Pak Bae
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025

Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’

by Atwood Magazine Staff
Magnolia Park © Jonathan Weiner
Features, Interviews, MusicApril 10, 2025<April 11, 2025

Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’

by Kaiana Lee
Stephen Day © Nick Jackson
Concerts, Music, ReviewsApril 10, 2025<April 10, 2025

Stephen Day Turns the Troubadour into a Gold Mine

by Guest Writer
Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

by Mitch Mosk
Jonas Brothers © Anthony Mandler
Columns, Music, Today's SongApril 10, 2025<April 10, 2025

The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights

by Danielle Holian
Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

by Jamie Kahn
Michigander © Erick Frost
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025

“Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album

by Kelly McCafferty Dorogy
Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

by Grace Holtzclaw
Strange Froots and Hua Li 化力
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour

by Oliver Crook
Tennis © Blossom Liu, Daniel Gray
Columns, Music, Today's SongApril 9, 2025<April 9, 2025

“Sleep the World to Forget It”: Tennis Are Spellbound by the “Weight of Desire” in a Song of Longing, Surrender & Sweet Disillusion

by Marc Maleri
Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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