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Church of Trees © Felicity DeCarle
Debut, Features, Music, PremieresJanuary 9, 2017<January 9, 2017

Exclusive Premiere: Church of Trees’ “Crumbs (There’s Only Now)” Embraces the Moment

by Mitch Mosk
Frank Ocean © 2016
Columns, Music, Today's SongJanuary 9, 2017<January 9, 2017

Today’s Song: The Nostalgia, Triumph, and Dream of Frank Ocean’s “Futura Free”

by Connor Bush
Ludodowwn © 2017
Features, Music, Music Videos, PremieresJanuary 6, 2017<January 6, 2017

Exclusive Premiere: The Dystopic Push and Pull of Ludodowwn’s Hazy “Polar”

by Mitch Mosk
Curse League © 2016
Music, Our Take, ReviewsJanuary 6, 2017<January 6, 2017

Our Take: Curse League Plus You Equals Us

by Connor Bush
Glass Tactics © Sonny Shaikh
Features, Music, PremieresJanuary 5, 2017<January 5, 2017

Exclusive Premiere: Hope and Hunger on Glass Tactics’ “Pavement”

by Mitch Mosk
Atwood Magazine's 2016 Albums of the Year
Features, Music, News, ReviewsJanuary 4, 2017<January 4, 2017

Atwood Magazine’s 2016 Albums of the Year

by Atwood Magazine Staff
Joseph © Ebru Yildiz
Columns, Music, Today's SongDecember 30, 2016<December 30, 2016

Today’s Song: Joseph Cry “SOS (Overboard)” Through an Emotional Storm

by Erika Kooda
Crying © Adam Kolodny
Columns, Music, Today's SongDecember 29, 2016<December 29, 2016

Today’s Song: Crying Melt the Closet on “There Was a Door”

by Connor Bush
Keiandra © Kiki 2016
Features, Interviews, MusicDecember 28, 2016<December 28, 2016

The Spaces Between: An Interview with Keiandra

by Lindsay Call
Mansionair © Charlie Hardy
Columns, Music, Today's SongDecember 28, 2016<December 28, 2016

Today’s Song: Mansionair’s “Easier” is an Echo of Hope for the Static

by Nicholas Anderson
The Visions © Jonathan Shugarman
Features, Music, PremieresDecember 27, 2016<December 27, 2016

Exclusive Premiere: The Hypnotic Waves and Sultry Thirst of The Visions’ “Oceans”

by Mitch Mosk
"Sparrows" - New Mystics
Columns, Debut, Music, Today's SongDecember 27, 2016<December 27, 2016

Today’s Song: New Mystics Sings for Freedom in Debut “Sparrows”

by Mitch Mosk
Spending All My Christmas with You - Tom Odell
Columns, Music, Today's SongDecember 26, 2016<December 26, 2016

Today’s Song: Tom Odell’s Cliché-Free “Spending All My Christmas with You”

by Christine Costello
Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

by Maggie McHale
Washington © 2016
Columns, Music, Today's SongDecember 22, 2016<December 20, 2016

Today’s Song: The Fight for Freedom in Washington’s “Saint Lo”

by Hannah Maire
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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