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Jain © RCA Records
Columns, Music, Music You Should KnowOctober 4, 2016<October 4, 2016

Music You Should Know: Jain’s Irresistible “Come” Balances Dark Poetry with a Light Bounce

by Mitch Mosk
The Island Club
Debut, Features, Interviews, MusicOctober 4, 2016<October 5, 2016

Sounds That Make You Feel Something: An Interview with The Island Club

by Nicole Almeida
Catch Prichard © Leif Huron
Features, Music, PremieresOctober 4, 2016<October 4, 2016

Exclusive Premiere: Familiarity and Disconnect Haunt Catch Prichard’s “Hometown”

by Mitch Mosk
Anna Atkinson © Jen Squires
Features, Music, Music Videos, PremieresOctober 3, 2016<October 3, 2016

Exclusive Premiere: Bittersweet Nostalgia on Anna Atkinson’s “When We Were Young”

by Connor Bush
still from Charlotte OC's "Darkest Hour"
Features, Interviews, Music, Music VideosSeptember 30, 2016<March 1, 2018

Love, Loss, and Hope in Her Darkest Hour: A Conversation with Charlotte OC

by Mitch Mosk
Loren North © Mackenzie Lenora
Debut, Features, Interviews, MusicSeptember 30, 2016<September 30, 2016

Embracing Honest Pop: A Conversation with Loren North

by Kelly Wynne
Blame Candy self-portrait
Debut, Features, Music, Music Videos, PremieresSeptember 29, 2016<October 13, 2016

Exclusive Premiere: Blame Candy Debuts with Empowering Energy on Anthemic “Life Like You”

by Renae Weaver
Young the Giant 2016
Features, Interviews, MusicSeptember 29, 2016<June 15, 2018

Amerika, Identity, and the Home of the Strange: A Conversation with Young the Giant

by Mitch Mosk
Wildhood's VERT
Columns, Debut, Music, Music You Should Know, ReviewsSeptember 29, 2016<September 29, 2016

Music You Should Know: Wildhood’s “Vert” is One Wild Ride

by Lindsay Call
Care - How to Dress Well
Music, Our Take, ReviewsSeptember 28, 2016<September 28, 2016

Our Take: How to Dress Well Surprises with Fourth Album, Care

by Alex Killian
Thirsty
Features, Music, PremieresSeptember 28, 2016<September 27, 2016

Exclusive Premiere: Thirsty Invite You Down Their Rabbit Hole with “The Albatross”

by Nicole Almeida
Bridges and Powerlines © Mara Abols
Features, Music, PremieresSeptember 27, 2016<September 27, 2016

Exclusive Premiere: The Polished Punch of Bridges and Powerlines’ “Even Killers Need A Home”

by Mitch Mosk
Kaleo © Alexandra Valenti
Music, Our Take, ReviewsSeptember 27, 2016<September 27, 2016

Our Take: Kaleo’s A/B, Full of Fire and Ice

by Erika Kooda
The Happy Fits
Debut, Features, Interviews, MusicSeptember 26, 2016<April 28, 2017

An Awfully Apeelin’ Story: Introducing The Happy Fits

by Mitch Mosk
FHB's "Regular" music video
Columns, Debut, Music, Music Videos, Today's SongSeptember 26, 2016<September 23, 2016

Today’s Song: FHB Breaks Down Barriers with “Regular”

by Ethan Germann
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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