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Makeunder's Hamilton Ulmer © 2016
Music, PremieresDecember 21, 2016<December 21, 2016

Exclusive Premiere: Makeunder’s “Inevitable Conclusion” Gets an Akiyoshi Ehara Makeover

by Mitch Mosk
The Soonest © Olivia Lee
Features, Music, Premieres, VideoDecember 21, 2016<December 21, 2016

Exclusive Premiere: The Soonest’s Raw Reflection “My Thoughts Are Brave. My Words Are Slow.”

by Mitch Mosk
Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

by Erin Brown
iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

by Maggie McHale
Joyce Manor © 2016
Columns, Music, Today's SongDecember 20, 2016<December 20, 2016

Today’s Song: Joyce Manor’s Depressing Epiphany “Reversing Machine”

by James Crowley
QTY © Danny North
Features, Interviews, MusicDecember 19, 2016<December 19, 2016

Honesty, Hive Mind, and the Human Element: A Conversation with QTY

by Nicole Almeida
Emmit Fenn © 2016
Columns, Music, Today's SongDecember 19, 2016<December 19, 2016

Today’s Song: Emmit Fenn Suffers and Heals on “Blinded”

by Urooj Ali Rizvi
Sleeptalk "Indio, California" still
Features, Music, Music Videos, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Sleeptalk’s Smile-Inducing “Indio, California”

by Mitch Mosk
K.Flay © Lauren Dukoff
Features, Interviews, MusicDecember 16, 2016<December 16, 2016

Crushing the Genre: A Conversation with K.Flay

by Kelly Wynne
Aztec Sun perform "No Time for Love"
Atwood x LiveSyphon, Columns, Music, VideoDecember 16, 2016<December 16, 2016

Atwood Magazine and LiveSyphon Present: AZTEC SUN’s Freedom Funk

by Connor Bush
Luxxury © Eli Green
Music, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Take a Trip with Luxxury and “Breathe (Again).”

by Alex Killian
Angel Olsen © 2016
Columns, Music, Today's SongDecember 16, 2016<December 19, 2016

Today’s Song: Angel Olsen’s “Sister” Epitomizes the Passionate Realizations of Human Desire

by K
Chris Kaz © Dieter Brandenburg
Features, Music, Music Videos, PremieresDecember 15, 2016<December 15, 2016

Exclusive Premiere: The Sultry, Dark Charm of Chris Kaz’s “Track 02”

by Mitch Mosk
Hugh (Izzy Brooks and Josh Idehen) © 2016
Interviews, MusicDecember 15, 2016<December 15, 2016

Light in the Madness: Meet Hugh

by Maggie McHale
Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

by Regan Wojick
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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