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Conrad Sewell // credit Facebook
Editorials, Features, MusicApril 7, 2016<April 7, 2016

Conrad Sewell: Finding Depth within the Silence

by Hannah Maire
Gwen Stefani © Jamie Nelson 7.1
Music, Our Take, ReviewsApril 6, 2016<September 5, 2023

Our Take: Gwen Stefani Stays Cool on “Truth”

by Josh Weiner
ALIA
Columns, Debut, Music, Today's SongApril 6, 2016<April 14, 2016

Today’s Song: ALIA Blazes Her Own Trail with “Penthouse”

by Ethan Germann
Denny - Press - March 2016
Columns, Features, Music, Today's SongApril 5, 2016<December 19, 2017

Today’s Song: DENNY Break the Mold with “Bloom”

by Mitch Mosk
MOTHXR © Eric Bouccan
Features, Music, Our Take, ReviewsApril 5, 2016<April 10, 2016

Our Take: The Melancholic Dream of “Centerfold” by MOTHXR

by Maggie McHale
Amir Obè
Columns, Music, Today's SongApril 4, 2016<April 4, 2016

Today’s Song: “Before the Vomit,” Amir Obè’s Drunken Confession

by Nadia Hansen
FeaturesApril 1, 2016<April 1, 2016

Sing Like Nobody is Listening: London Busker Gives it His All

by Maggie McHale
Columns, Features, Music You Should KnowApril 1, 2016<April 1, 2016

Music You Should Know: The Gravity of Kanye’s “Facts”

by Atwood Magazine Staff
Open Mike Eagle & Paul White
Columns, Music, Today's SongMarch 31, 2016<March 31, 2016

Today’s Song: The Endorphic Pleasures of Open Mike Eagle

by Jon Hecht
The Struts © Mitchell Mosk
Concerts, Debut, Features, Music, ReviewsMarch 30, 2016<May 8, 2016

Review: Everybody Wants The Struts (and You Can Too!)

by Mitch Mosk
Aurora
Columns, Music, Today's SongMarch 30, 2016<March 28, 2016

Today’s Song: The Halcyon Refuge of Aurora’s “Through the Eyes of a Child”

by Erin Brown
Screenshot from Julia Jacklin's "Pool Party" music video
Columns, Music, Today's SongMarch 29, 2016<March 28, 2016

Today’s Song: Julia Jacklin’s Blue Mountains Lullaby

by Hailey McAdams
Anderson .Paak 8.9
Music, Our Take, ReviewsMarch 28, 2016<September 5, 2023

Our Take: California MC ‘Paaks’ a Punch on “Malibu”

by Josh Weiner
The Beatles' Paul McCartney and John Lennon
Columns, Editorials, Music, The Craft TableMarch 25, 2016<March 25, 2016

The Craft Table: Collaboration

by Taylor Berrett
Lianne La Havas © John Paul Pietrus
Columns, Music, Today's SongMarch 25, 2016<March 24, 2016

Today’s Song: Celebrating Imperfection Through a Welcomed Goodbye

by Hannah Maire
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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