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Big Scary
Columns, Music, Today's SongOctober 20, 2016<October 20, 2016

Today’s Song: Finding Calm within the Storm in Big Scary’s “The Opposite of Us”

by Hannah Maire
JonoJosh
Features, Music, PremieresOctober 19, 2016<October 26, 2016

Exclusive Premiere: JonoJosh Rides the Sonic Zeitgeist on Formative Debut ‘Outside’ EP

by Mitch Mosk
LUCA LUSH
Columns, Music, Today's SongOctober 19, 2016<October 19, 2016

Today’s Song: Seamless Cut & Sew Production on LUCA LUSH’s “Anything 4 U”

by Alex Killian
Oli Hannaford
Music, Our Take, ReviewsOctober 18, 2016<October 18, 2016

Our Take: Oli Hannaford Explores Life and Love Through ‘Free Things’

by Maggie McHale
Mulherin © 2016
Columns, Music, Today's SongOctober 18, 2016<October 18, 2016

Today’s Song: A Story of Mistrust with Mulherin’s “Leagues”

by Ethan Germann
Ben Hobbs © Caitlin Mogridge
Features, Music, PremieresOctober 18, 2016<October 26, 2016

Exclusive Premiere: Ben Hobbs’ “Take The Blame” Is a Vulnerable, Ominous Anthem

by Mitch Mosk
Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

by Mitch Mosk
and the Anonymous Nobody... De La Soul 8.4
Music, Our Take, ReviewsOctober 17, 2016<September 5, 2023

Our Take: De La Soul… Still Going Strong After 27 Years

by Josh Weiner
Foxygen © 2016
Columns, Features, Music, Reviews, Today's SongOctober 17, 2016<October 7, 2022

Foxygen’s “America” or: How I Learned to Accept Bowie’s Death and Keep Loving Indie Rock

by Ross Finney
Bob Dylan
Essays, MusicOctober 15, 2016<September 30, 2025

Editorial: Why Bob Dylan’s Music Is Literature

by Jon Hecht
Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

by Mitch Mosk
DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

by Mitch Mosk
Santah perform "Here Are My Shells"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 14, 2016<November 13, 2024

Atwood Magazine and LiveSyphon Present: Santah Share Their Shells

by Nicole Almeida
Fog © Cameron Wittig
Columns, Music, Today's SongOctober 14, 2016<October 14, 2016

Today’s Song: Finding Purpose in Fog’s “Made to Follow”

by Kaitlyn Zorilla
BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

by Regan Wojick
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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