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Wet © Milan Zrnic
Columns, Music, Today's SongJanuary 17, 2017<January 17, 2017

Today’s Song: Wet’s “Turn Away” is a Heartbreaking Tale for the Masses

by Sydney Sweeney
"Black & White" - Miss Jupiter
Features, Music, Music Videos, PremieresJanuary 16, 2017<January 16, 2017

Exclusive Premiere: Miss Jupiter Proves Emotional Rawness Isn’t Just “Black & White”

by Maggie McHale
BELL The Band © 2017
Debut, Features, Music, PremieresJanuary 13, 2017<June 29, 2020

Exclusive Premiere: BELL The Band’s “Love Before Me” Dives into Heartache

by Mitch Mosk
Camp Candle
Music, PremieresJanuary 13, 2017<January 13, 2017

Exclusive Premiere: Camp Candle’s “Fogged Glass” Ode to Night Life

by Mitch Mosk
Ezra Furman
Concerts, MusicJanuary 13, 2017<January 13, 2017

An Act of Frustration & Pink: Ezra Furman at Lincoln Hall, Chicago

by Erika Kooda
PHANGS // Jake Germany
Features, Music, PremieresJanuary 13, 2017<January 17, 2017

Exclusive Premiere: The Magnetism of PHANGS’ “One & Lonely” and “Cul De Sac”

by Maggie McHale
Tyto Alba © Emily Owens
Features, Music, PremieresJanuary 12, 2017<January 12, 2017

Exclusive Premiere: Self-Blame and Pain on Tyto Alba’s Emotionally-Charged “The Worst in You”

by Mitch Mosk
The xx © Alasdair McLellan
Columns, Music, Today's SongJanuary 12, 2017<January 12, 2017

Today’s Song: The xx Finally Hang Up on Misleading, Perceived Fate with “On Hold”

by K
XYLØ © Anna Maria Lopez
Features, Interviews, MusicJanuary 11, 2017<December 4, 2017

Getting Below the Root of Mystic Barriers: A Conversation with XYLØ

by Tracy Smith
Trouble Will Find Me - The National
Columns, Music You Should Know, ReviewsJanuary 11, 2017<January 11, 2017

Music You Should Know: The National Finds Serenity in Devastation

by Kelly Wynne
Sam Skinner © Lucie Murphy
Columns, Music, Today's SongJanuary 11, 2017<January 11, 2017

Today’s Song: Sam Skinner’s “Learn” Favors Abstraction Over Narrative

by Connor Bush
Negative Gemini © 2016
Our Take, ReviewsJanuary 10, 2017<January 18, 2017

Descend into a ’90s Nostalgic Hypnotic Trance Domain with Negative Gemini’s “Body Work”

by K
"Party Trix" - Trap Rabbit
Features, Music, Music Videos, PremieresJanuary 10, 2017<January 10, 2017

Exclusive Premiere: Trap Rabbit Show Off Their “Party Trix”

by Maggie McHale
Ed Sheeran © Greg Williams
Columns, Music, Today's SongJanuary 10, 2017<March 8, 2017

Today’s Song: “Castle on the Hill,” Ed Sheeran’s Trip Down Memory Lane

by Kevin Young
Sundara Karma © Tom Oxley
Features, Interviews, MusicJanuary 9, 2017<January 9, 2017

More Than a Young Understanding: A Conversation with Sundara Karma

by Lindsay Call
Posts pagination
1 … 684 685 686 687 688 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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