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Jain © RCA Records
Debut, Music, Our Take, ReviewsJanuary 24, 2017<February 26, 2018

Our Take: Jain’s ZANAKA is Multidimensional, Multicultural Pop

by Erin Brown
Hippo Campus © Alice Baxley
Columns, Music, Today's SongJanuary 24, 2017<January 24, 2017

Today’s Song: Hippo Campus Mellow Out on “Way It Goes”

by Natalie Harmsen
"All the Time" - American Dreamer still
Features, Music, Music Videos, PremieresJanuary 23, 2017<January 23, 2017

Exclusive Premiere: American Dreamer’s “All the Time” Video Captures the American Dream

by Mitch Mosk
Camp Cope © Sian Sandilands
Columns, Music, Today's SongJanuary 23, 2017<November 28, 2017

Today’s Song: Camp Cope Reflect and Rebuild in “Keep Growing”

by Lindsay Call
"Time (How to Love)" still - Hunters of the Alps
Debut, Features, Music, Music Videos, PremieresJanuary 20, 2017<January 20, 2017

Exclusive Premiere: Hunters of the Alps Freeze a Moment in “Time (How to Love)”

by Mitch Mosk
Olivia O'Brien © Blair Brown
Features, Interviews, MusicJanuary 20, 2017<November 18, 2017

Hate, Love, Boys, and Trust: A Conversation with Olivia O’Brien

by Kevin Young
Harry Jay Smith & The Bling perform "Black Cloud"
Atwood x LiveSyphon, Columns, Music, VideoJanuary 20, 2017<January 20, 2017

Atwood Magazine and LiveSyphon Present: The Effortlessly Cool Harry Jay Smith & The Bling

by Kaitlyn Zorilla
Ten Times Out of Ten - Amy Guess
Debut, Features, Music, PremieresJanuary 20, 2017<January 24, 2017

Exclusive Premiere: Amy Guess Gets Explosive and Intimate on Debut EP ‘Ten Times Out of Ten’

by Mitch Mosk
Aesop Rock © Ben Colen
Columns, Music, Today's SongJanuary 20, 2017<January 20, 2017

Today’s Song: Aesop Rock’s “Rings” Details Regrets of a Life That Could Have Been

by Lucas Koprowski
Nightly © Catie Laffoon
Features, Interviews, MusicJanuary 19, 2017<March 9, 2017

The New Classic: A Conversation with Nightly

by Mitch Mosk
Slothrust © Ebru Yildriz
Columns, Music, Today's SongJanuary 19, 2017<January 17, 2017

Today’s Song: Slothrust Hit the Sweet Spot on “Rotten Pumpkin”

by Will Staub
Dizzyride © Angus Borsos
Debut, Features, Music, PremieresJanuary 18, 2017<January 18, 2017

Exclusive Premiere: The Whimsical Dreaminess of Dizzyride’s Self-Titled LP

by Atwood Magazine Staff
Lido © 2016
Columns, Music, Today's SongJanuary 18, 2017<January 18, 2017

Today’s Song: Lido’s “Falling Down” Invites Us to Share the Heartbreak of a Young Lover

by Danielle Evans
Allman Brown © Jodie Canwell
Features, Music, PremieresJanuary 18, 2017<January 24, 2017

Exclusive Premiere: “Sweetest Thing,” Allman Brown’s Intimate Loving Lullabye

by Mitch Mosk
Kate Grom © Jeremy Cowart
Features, Music, PremieresJanuary 17, 2017<January 17, 2017

Exclusive Premiere: Kate Grom’s Poignant “Tricks” Plays the Game of Love and Lust

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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