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Spending All My Christmas with You - Tom Odell
Columns, Music, Today's SongDecember 26, 2016<December 26, 2016

Today’s Song: Tom Odell’s Cliché-Free “Spending All My Christmas with You”

by Christine Costello
Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

by Maggie McHale
Washington © 2016
Columns, Music, Today's SongDecember 22, 2016<December 20, 2016

Today’s Song: The Fight for Freedom in Washington’s “Saint Lo”

by Hannah Maire
Makeunder's Hamilton Ulmer © 2016
Music, PremieresDecember 21, 2016<December 21, 2016

Exclusive Premiere: Makeunder’s “Inevitable Conclusion” Gets an Akiyoshi Ehara Makeover

by Mitch Mosk
The Soonest © Olivia Lee
Features, Music, Premieres, VideoDecember 21, 2016<December 21, 2016

Exclusive Premiere: The Soonest’s Raw Reflection “My Thoughts Are Brave. My Words Are Slow.”

by Mitch Mosk
Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

by Erin Brown
iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

by Maggie McHale
Joyce Manor © 2016
Columns, Music, Today's SongDecember 20, 2016<December 20, 2016

Today’s Song: Joyce Manor’s Depressing Epiphany “Reversing Machine”

by James Crowley
QTY © Danny North
Features, Interviews, MusicDecember 19, 2016<December 19, 2016

Honesty, Hive Mind, and the Human Element: A Conversation with QTY

by Nicole Almeida
Emmit Fenn © 2016
Columns, Music, Today's SongDecember 19, 2016<December 19, 2016

Today’s Song: Emmit Fenn Suffers and Heals on “Blinded”

by Urooj Ali Rizvi
Sleeptalk "Indio, California" still
Features, Music, Music Videos, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Sleeptalk’s Smile-Inducing “Indio, California”

by Mitch Mosk
K.Flay © Lauren Dukoff
Features, Interviews, MusicDecember 16, 2016<December 16, 2016

Crushing the Genre: A Conversation with K.Flay

by Kelly Wynne
Aztec Sun perform "No Time for Love"
Atwood x LiveSyphon, Columns, Music, VideoDecember 16, 2016<December 16, 2016

Atwood Magazine and LiveSyphon Present: AZTEC SUN’s Freedom Funk

by Connor Bush
Luxxury © Eli Green
Music, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Take a Trip with Luxxury and “Breathe (Again).”

by Alex Killian
Angel Olsen © 2016
Columns, Music, Today's SongDecember 16, 2016<December 19, 2016

Today’s Song: Angel Olsen’s “Sister” Epitomizes the Passionate Realizations of Human Desire

by K
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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