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Debut, Features, Music, PremieresJuly 18, 2016<July 18, 2016

Exclusive Premiere: Mean Siders Debut with Unforgiving Energy on “Fashioned Ribs”

by Mitch Mosk
Still from John the Ghost's "Sour Grapes" music video
Columns, Debut, Music, Today's SongJuly 18, 2016<July 18, 2016

Today’s Song: John the Ghost Bares His Soul with “Sour Grapes”

by Natalie Harmsen
CAFUNÉ © Savannah Daras
Features, Interviews, MusicJuly 15, 2016<July 15, 2016

“Don’t You Forget” to Love Yourself: An Interview with CAFUNÉ

by Mitch Mosk
Public Access T.V. © Nick Sethi
Columns, Music, Today's SongJuly 15, 2016<July 15, 2016

Today’s Song: Public Access T.V. Keep Their Cool in “Sudden Emotion”

by Lindsay Call
still from Deepakalypse's "Dim Sum" music video
Features, Music, Music Videos, PremieresJuly 14, 2016<July 14, 2016

Exclusive Premiere: Deepakalypse’s “Dim Sum” Soaks Up the Summer Sun

by Mitch Mosk
Marian Hill / courtesy of the artist
Features, Music, Our Take, ReviewsJuly 14, 2016<July 14, 2016

Our Take: Less Is More in Marian Hill’s “ACT ONE”

by Ethan Germann
still from Jeremy & The Harlequins' "Into the Night" music video
Features, Interviews, Music, VideoJuly 13, 2016<July 13, 2016

INTERVEW: Jeremy & the Harlequins’ Never-Ending Journey “Into the Night”

by Mitch Mosk
Cicada Rhythm perform "Static in My Dream"
Atwood x LiveSyphon, Columns, Features, Music, VideoJuly 12, 2016<July 13, 2016

Atwood Magazine and LiveSyphon Present: Cicada Rhythm’s Breathtaking Chemistry

by Mitch Mosk
"Lovely Bones" music video - BRÅVES
Columns, Music, Today's SongJuly 11, 2016<July 11, 2016

Today’s Song: Potency and Raw Emotion in BRÅVES’ “Lovely Bones”

by Maggie McHale
ANNALIA © Mackenzie Maroney
Debut, Features, Music, PremieresJuly 8, 2016<July 8, 2016

Exclusive Premiere: ANNALIA’s “STRANGERS” (Em)Powers Through Pains of Love

by Mitch Mosk
Band of Skulls © Andy Cotterill
Features, Interviews, MusicJuly 8, 2016<July 11, 2016

Ferocious and Tender By Default: An Interview with Band of Skulls

by Mitch Mosk
Sisteray 2016 © Alberto Pezzali
Columns, Music, Today's SongJuly 7, 2016<July 8, 2016

Today’s Song: Never Mind the…Gastropubs? Sisteray Takes Aim in “Gentrification”

by Lindsay Call
Handsome Ghost "Eyes Wide" promo
Columns, Music, Today's SongJuly 6, 2016<July 7, 2016

Today’s Song: “Eyes Wide,” Handsome Ghost’s Tropical Summer Spark

by Mitch Mosk
Soft Corporate © Aleksandar Jason 2016
Columns, Debut, Music, Today's SongJuly 5, 2016<July 5, 2016

Today’s Song: Sail Away on Soft Corporate’s Breathtaking “Boats”

by Mitch Mosk
Leapling © Anna Sian
Music, Our Take, ReviewsJuly 5, 2016<July 5, 2016

Our Take: Leapling’s “Suspended Animation” Is Infectious Power-Pop with a Serious Side

by Ross Finney
Posts pagination
1 … 702 703 704 705 706 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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