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Missy Higgins © Cybele Malinowski 2015
Columns, Music, Music You Should KnowJune 20, 2016<June 20, 2016

Music You Should Know: Missy Higgins, The Dazzle from Oz

by Hannah Maire
MAALA - "Kind of Love" music video screenshot
Features, Interviews, MusicJune 20, 2016<June 21, 2016

That Lustful Kind of Love: A Conversation with MAALA

by Mitch Mosk
Rorie © Stephen Stonestreet
Debut, Features, Music, Music Videos, PremieresJune 17, 2016<June 17, 2016

Exclusive Premiere: Rorie’s “Storyteller” Sees Through Blind Love

by Mitch Mosk
Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

by Mitch Mosk
Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

by Mitch Mosk
Haley Reinhart 2016
Concerts, Features, Interviews, MusicJune 15, 2016<June 15, 2016

“Better” Than Ever Before: A Conversation with Haley Reinhart

by Ethan Germann
Two Door Cinema Club
Essays, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

by Maggie McHale
I like it when you sleep, for you are so beautiful yet so unaware of it - The 1975
Features, Music, Our Take, ReviewsJune 14, 2016<May 9, 2017

The 1975’s I Like It When You Sleep… A Track-by-Track Review

by Natalie Harmsen
Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

by Mitch Mosk
Northside Festival 2016 poster
Features, Festival, Music, News, PreviewsJune 10, 2016<June 10, 2016

(Y)Our Music Guide to Northside Festival 2016

by Mitch Mosk
Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

by Maggie McHale
Atwood Magazine x LiveSyphon
Music, NewsJune 10, 2016<June 10, 2016

Atwood Magazine Announces Partnership with LiveSyphon

by Atwood Magazine Staff
The Temper Trap 2016
Columns, Music, Today's SongJune 9, 2016<June 9, 2016

Today’s Song: The Temper Trap “Burn” with Unrelenting Passion

by Mitch Mosk
Thirdstory (from left to right): Elliott Skinner, Richard Saunders, and Ben Lusher
Debut, Music, Our Take, ReviewsJune 8, 2016<June 8, 2016

Our Take: Thirdstory’s Soul-Stirring “Searching” EP

by Brandon Payano
Frank Turner at Irving Plaza, © Mitch Mosk 2015
Features, Interviews, MusicJune 7, 2016<July 31, 2018

Music Is the End: A Conversation with Frank Turner

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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