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Greye performs "Momma"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoAugust 15, 2016<August 15, 2016

Atwood Magazine and LiveSyphon Present: The Most Colorful Shade of GREYE

by Ethan Germann
Debut, Music, Music Videos, PremieresAugust 12, 2016<August 12, 2016

Exclusive Premiere: Novelties Embrace the Night in “Intro From The Other Side”

by Maggie McHale
The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

by Mitch Mosk
Douglas Dare © Özge Cöne
Columns, Music, Today's SongAugust 11, 2016<August 10, 2016

Today’s Song: Douglas Dare’s “Doublethink” Touches on the Modern-Day Zeitgeist

by Olivia Seville
Woodes
Debut, Features, Interviews, MusicAugust 10, 2016<August 10, 2016

Glistening in “The Thaw”: A Conversation with Woodes

by Hannah Maire
COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

by Mitch Mosk
The Last Shadow Puppets © Zackery Michael
Concerts, MusicAugust 9, 2016<August 9, 2016

LIVE: The Last Shadow Puppets Dazzle in San Diego

by Kaitlyn Zorilla
Youth Culture © Brigid Crispi
Debut, Features, Interviews, MusicAugust 8, 2016<August 8, 2016

Youth Culture’s “U:Me” Navigates Young Lust

by Mitch Mosk
Coast Modern 2016
Columns, Music, Today's SongAugust 8, 2016<August 8, 2016

Today’s Song: Let Coast Modern Be Your “Guru”

by Nicole Almeida
Private Island 2016
Features, Music, Our Take, ReviewsAugust 5, 2016<August 5, 2016

Our Take: Private Island’s “Sunbreak” EP is a Coming-of-Age Treasure

by Mitch Mosk
"Perfect" by Bibi Bourelly
Columns, Music, Today's SongAugust 5, 2016<February 1, 2017

Today’s Song: Bibi Bourelly Reinvents the Meaning of Perfection

by Ethan Germann
Newbury Park, CA six-piece HUNNY
Columns, Music, Today's SongAugust 4, 2016<August 4, 2016

Today’s Song: HUNNY’s “Colder Parts” Lights an Empowering Fire

by Mitch Mosk
Vylet
Debut, Features, Music, PremieresAugust 3, 2016<August 3, 2016

Exclusive Premiere: Vylet Debuts with Youthful Turmoil on “Why”

by Mitch Mosk
KOLAJ © Koury Angelo
Debut, Features, Interviews, MusicAugust 3, 2016<August 3, 2016

Pop Outside the Box: A Conversation with KOLAJ

by Mitch Mosk
Lone Kodiak © Erin Marie Miller (www.erin-miller.com)
Features, Music, PremieresAugust 2, 2016<August 2, 2016

Exclusive Premiere: Lone Kodiak Engulf & Ignite on Daughter’s “Smother”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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