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The Shelters © Brantley Gutierrez
Debut, Music, Our Take, ReviewsJune 21, 2016<March 9, 2017

Our Take: Carved in Rock (n’ Roll), The Shelters’ Debut Album

by Lindsay Call
Missy Higgins © Cybele Malinowski 2015
Columns, Music, Music You Should KnowJune 20, 2016<June 20, 2016

Music You Should Know: Missy Higgins, The Dazzle from Oz

by Hannah Maire
MAALA - "Kind of Love" music video screenshot
Features, Interviews, MusicJune 20, 2016<June 21, 2016

That Lustful Kind of Love: A Conversation with MAALA

by Mitch Mosk
Rorie © Stephen Stonestreet
Debut, Features, Music, Music Videos, PremieresJune 17, 2016<June 17, 2016

Exclusive Premiere: Rorie’s “Storyteller” Sees Through Blind Love

by Mitch Mosk
Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

by Mitch Mosk
Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

by Mitch Mosk
Haley Reinhart 2016
Concerts, Features, Interviews, MusicJune 15, 2016<June 15, 2016

“Better” Than Ever Before: A Conversation with Haley Reinhart

by Ethan Germann
Two Door Cinema Club
Essays, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

by Maggie McHale
I like it when you sleep, for you are so beautiful yet so unaware of it - The 1975
Features, Music, Our Take, ReviewsJune 14, 2016<May 9, 2017

The 1975’s I Like It When You Sleep… A Track-by-Track Review

by Natalie Harmsen
Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

by Mitch Mosk
Northside Festival 2016 poster
Features, Festival, Music, News, PreviewsJune 10, 2016<June 10, 2016

(Y)Our Music Guide to Northside Festival 2016

by Mitch Mosk
Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

by Maggie McHale
Atwood Magazine x LiveSyphon
Music, NewsJune 10, 2016<June 10, 2016

Atwood Magazine Announces Partnership with LiveSyphon

by Atwood Magazine Staff
The Temper Trap 2016
Columns, Music, Today's SongJune 9, 2016<June 9, 2016

Today’s Song: The Temper Trap “Burn” with Unrelenting Passion

by Mitch Mosk
Thirdstory (from left to right): Elliott Skinner, Richard Saunders, and Ben Lusher
Debut, Music, Our Take, ReviewsJune 8, 2016<June 8, 2016

Our Take: Thirdstory’s Soul-Stirring “Searching” EP

by Brandon Payano
Posts pagination
1 … 705 706 707 708 709 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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