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Music, Music Videos, ReviewsAugust 20, 2014<August 20, 2014

Sunbeam Sound Machine’s “Cosmic Love Affair”

by Alexis
Interviews, VideoAugust 19, 2014<August 19, 2014

A Conversation with Kate Duhamel of Fountain 3 Films

by Cynthia Liu
Concerts, Features, Hidden Gems, Music, VideoAugust 17, 2014<August 17, 2014

Watch: Tori Amos Covers Creep By Radiohead

by Nitesh
Columns, Concert Conversations, MusicAugust 15, 2014<August 15, 2014

Concert Conversations: The Canaries Play the Islington, London

by Christian
Eliott Alexander Issue 8 Cover
Art, Contributor Interview, From The Zine, Interviews, PhotographyAugust 14, 2014<August 14, 2014

A Conversation With Elliott Alexander

by Abigail
Music, ReviewsAugust 13, 2014<August 13, 2014

Digital Distortion Moves to the Pacific With Raveonettes’ New Album Pe’ahi

by Charlotte
MusicAugust 13, 2014<August 13, 2014

Listen: Josef Salvat’s new single “Shoot and Run”

by Liza
Art, Editorials, FeaturesAugust 12, 2014<August 12, 2014

Maite Pons Editorial: “The Labyrinth”

by Nitesh
Art, Features, Interviews, PhotographyAugust 11, 2014<August 11, 2014

A conversation with Anna Ladd

by Alexis
Music, Our Take, ReviewsAugust 10, 2014<August 15, 2014

Our Take: A Review of Ben Howard’s New Single “End of the Affair”

by Nitesh
Columns, Hidden Gems, MusicAugust 9, 2014<August 9, 2014

Hidden Gems: “Blue Spotted Tail” – Fleet Foxes

by Nitesh
Music, Our Take, ReviewsAugust 8, 2014<August 8, 2014

Our Take: Black Honey’s new demo “Teenager”

by Liza
Art, From The Zine, Preview, VideoAugust 7, 2014<August 9, 2014

Watch: Anna Ladd’s “Posted”

by Liza
Editorials, Fashion, From The Zine, Photography, PreviewAugust 6, 2014<August 6, 2014

Taylor by Lauren Withrow: A Preview Editorial

by Liza
Art, Features, Interviews, PhotographyAugust 5, 2014<April 27, 2024

A conversation with Dennis Auburn

by Alexis
Posts pagination
1 … 705 706 707 708 709 … 711

Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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