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Coby Brown © 2025
Essays, MusicApril 25, 2025<April 25, 2025

Essay: “Let Me Travel Like a Trail” by Coby Brown

by Guest Writer
Adam Melchor © Caro Knapp
Columns, Music, Today's SongApril 25, 2025<April 25, 2025

Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection

by Mitch Mosk
Martha Wainwright © 2025
Features, Interviews, MusicApril 24, 2025<September 5, 2025

“I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself

by Nasim Elyasi
Bon Iver 'SABLE, fABLE' © Graham Tolbert 8.6
Music, Our Take, ReviewsApril 24, 2025<April 24, 2025

Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation

by Danielle Holian
Gemma Laurence © Charlotte Schweiger
Columns, Features, Interviews, Music, Today's SongApril 23, 2025<April 23, 2025

Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines”

by Sophie Severs
Lucy Kruger & The Lost Boys © Holger Nitschke
Music, PremieresApril 23, 2025<April 22, 2025

Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence

by Marissa DeLeon
Atwood Magazine's 118th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025

Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo!

by Mitch Mosk
Trousdale 'Growing Pains' © Alex Lang
Features, Interviews, Music, Track-by-TrackApril 18, 2025<April 18, 2025

Feature: Trousdale’s Inner Light Shines on ‘Growing Pains,’ a Radiant Folk-Pop Record of Resilience, Renewal, & Harmony

by Mitch Mosk
The Driver Era's Rocky and Ross Lynch © Will Wark
Features, Interviews, MusicApril 18, 2025<April 18, 2025

“Pursuing Purpose”: The Driver Era’s Rocky and Ross Lynch on Crafting ‘Obsession’ in the Digital Age

by Nasim Elyasi
Olive Klug © Alex Steed
Music, Music Videos, PremieresApril 18, 2025<April 18, 2025

Premiere: Olive Klug Channels Their Inner Paul Simon in the Freewheeling “Train of Thought,” a Spirited Folk Fever Dream

by Mitch Mosk
Avery Friedman © Mamie Heldman
Debut, Features, Interviews, Music, PremieresApril 17, 2025<April 17, 2025

Album Premiere: Avery Friedman Debuts with ‘New Thing,’ a Raw Reckoning of Becoming, Belonging, & Bold Self-Expression

by Mitch Mosk
Joan Baez "Diamonds and Rust"
Columns, Music, Nostalgia TracksApril 17, 2025<April 17, 2025

“Diamonds and Rust”: The Haunting of Joan Baez

by Audrey Connelly
The Army, The Navy © Lucy Black
Features, Interviews, MusicApril 17, 2025<April 17, 2025

The Army, The Navy Air Their “Dirty Laundry”: Rising Duo Talk Touring, New Music, Mantras, and the Power of Community

by Noa Jamir
Nami © 2025
Columns, Interviews, Music, Today's SongApril 17, 2025<December 15, 2025

“I’m a Student First, Artist Second”: Nami Debuts with Catchy Songwriting, Playful Intensity, & Raw, Unfiltered Self-Expression

by Mitch Mosk
Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

by Madeleine Eggen
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Brand New

  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession

:: discover something new ::

Recent Posts

  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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