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The Japanese House (Amber Bain)
Columns, Music, Music You Should KnowOctober 2, 2015<October 19, 2015

Intensity, Eminence and Mystique: The Japanese House Lays a Sound Foundation

by Maggie McHale
Atwood in Focus: New Music, 10/2/2015
NewsOctober 2, 2015<October 2, 2015

Atwood In Focus: October 2nd New Music

by Mitch Mosk
Screenshot from "Doing The Right Thing" by Daughter
Columns, Music, Music Videos, Today's SongOctober 1, 2015<October 1, 2015

Today’s Song: Daughter Lament Life and Loss On “Doing The Right Thing”

by Mitch Mosk
Where Do You Run [EP] - The Score
Debut, Features, Interviews, MusicSeptember 30, 2015<July 4, 2024

A Guitar, A Keyboard, and A Computer in a Bedroom: A Conversation With The Score

by Mitch Mosk
Transviolet
Columns, Music, Today's SongSeptember 29, 2015<September 29, 2015

Today’s Song: Ideas Turn to Action in Transviolet’s “New Bohemia”

by April Salud
Forebear // lyynks.com
Columns, Music, Today's SongSeptember 28, 2015<September 28, 2015

Today’s Song: Forebear Deal with Love and Loss on “People’s Champ”

by Liz Wood
Atwood in Focus: New Music, 9/25/2015
NewsSeptember 25, 2015<October 9, 2015

Atwood In Focus: September 25th New Music

by Atwood Magazine Staff
Boston Calling Fall 2015
Features, Festival, Music, News, PreviewsSeptember 24, 2015<September 24, 2015

(Y)Our Guide to Boston Calling Music Festival, Fall 2015

by Mitch Mosk
Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

by Maggie McHale
Dustin Tebbutt
Features, Interviews, MusicSeptember 22, 2015<September 22, 2015

Breaking From The Breach: A Conversation with Dustin Tebbutt

by Mitch Mosk
Didn't He Ramble - Glen Hansard
Features, Music, ReviewsSeptember 21, 2015<September 21, 2015

Review: Nuance and Variation on Glen Hansard’s “Didn’t He Ramble”

by Molly Golski
Atwood in Focus: New Music, 9/18/2015
NewsSeptember 18, 2015<October 9, 2015

Atwood In Focus: September 18th New Music

by Atwood Magazine Staff
Smile - The Royal Concept
Features, Interviews, MusicSeptember 17, 2015<September 17, 2015

Dirty and Sunny: A Conversation with The Royal Concept

by Mitch Mosk
Dresses
Columns, Music, Today's SongSeptember 16, 2015<August 24, 2018

Today’s Song: The Empathetic Beauty of Dresses’ “Catch”

by Mitch Mosk
Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

by Liz Wood
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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