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Eliott Alexander Issue 8 Cover
Art, Contributor Interview, From The Zine, Interviews, PhotographyAugust 14, 2014<August 14, 2014

A Conversation With Elliott Alexander

by Abigail
Music, ReviewsAugust 13, 2014<August 13, 2014

Digital Distortion Moves to the Pacific With Raveonettes’ New Album Pe’ahi

by Charlotte
MusicAugust 13, 2014<August 13, 2014

Listen: Josef Salvat’s new single “Shoot and Run”

by Liza
Art, Essays, FeaturesAugust 12, 2014<August 12, 2014

Maite Pons Editorial: “The Labyrinth”

by Nitesh
Art, Features, Interviews, PhotographyAugust 11, 2014<August 11, 2014

A conversation with Anna Ladd

by Alexis
Music, Our Take, ReviewsAugust 10, 2014<August 15, 2014

Our Take: A Review of Ben Howard’s New Single “End of the Affair”

by Nitesh
Columns, Hidden Gems, MusicAugust 9, 2014<August 9, 2014

Hidden Gems: “Blue Spotted Tail” – Fleet Foxes

by Nitesh
Music, Our Take, ReviewsAugust 8, 2014<August 8, 2014

Our Take: Black Honey’s new demo “Teenager”

by Liza
Art, From The Zine, Preview, VideoAugust 7, 2014<August 9, 2014

Watch: Anna Ladd’s “Posted”

by Liza
Essays, Fashion, From The Zine, Photography, PreviewAugust 6, 2014<August 6, 2014

Taylor by Lauren Withrow: A Preview Editorial

by Liza
Art, Features, Interviews, PhotographyAugust 5, 2014<April 27, 2024

A conversation with Dennis Auburn

by Alexis
Art, Interviews, Weekly DiscoveriesAugust 5, 2014<August 5, 2014

This Week’s Discoveries: Pt. 2 – Ben Giles in Time Square + “Art and Environment”

by Liza
Mixtape, MusicAugust 3, 2014<August 6, 2014

Atwood Mixtape: August 2014 Soundtrack

by Liza
Columns, Music, Nostalgia TracksAugust 2, 2014<August 2, 2014

Nostalgia Tracks: Youth Lagoon’s “The Year of Hibernation”, My Coming-of-Age Soundtrack

by Liza
www.danilencioni.com
Interviews, MusicAugust 1, 2014<November 2, 2014

a million creatures: a conversation with Molly Murphy

by Nitesh
Posts pagination
1 … 721 722 723 724 725 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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