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Iron and Wine 1 © Mike Benigno 2014
Concerts, Music, Our Take, ReviewsOctober 8, 2014<October 8, 2014

Nonesuch Turns 50 with an Evening of Singer-Songwriters

by Imran Ahmed
Secret Chiefs 3
Columns, Concert Conversations, Concerts, Music, ReviewsOctober 7, 2014<October 6, 2014

Concert Conversations: Secret Chiefs 3 play Corsica Studios, London

by Christian
In The Valley Below
Debut, Music, Our Take, ReviewsOctober 6, 2014<May 18, 2017

Review: In The Valley Below Whips Out ‘The Belt’

by Mitch Mosk
VideoOctober 1, 2014<October 1, 2014

Cinética – Capturing the Beauty of Everyday Movements

by Cynthia Liu
The Drums
Concerts, Music, ReviewsSeptember 30, 2014<September 30, 2014

The Drums Still Atop at The Bowery Ballroom

by Imran Ahmed
Concerts, Music, ReviewsSeptember 29, 2014<September 29, 2014

Rubblebucket pulls out stops, in a dramatic concert

by Celia
The 1975
Features, Interviews, MusicSeptember 26, 2014<January 25, 2020

Sex, Drugs, and Music: An Interview with The 1975

by Mitch Mosk
Secret Someones
Concerts, Features, Interviews, MusicSeptember 25, 2014<September 26, 2014

Out of the Shadows: An Interview with Secret Someones

by Mitch Mosk
Sir Sly promo pic
Features, Interviews, MusicSeptember 24, 2014<May 18, 2025

Dark, Honest and Vulnerable: An Interview with Sir Sly

by Mitch Mosk
Art, Features, InterviewsSeptember 21, 2014<September 21, 2014

A conversation with Gavin Worth

by Cristina
Music, Our Take, ReviewsSeptember 18, 2014<September 18, 2014

Our Take: The Kooks Stretch Their Sound On ‘Listen’

by Charlotte
Boston Calling 2014 poster
Concerts, Features, Music, News, ReviewsSeptember 16, 2014<September 17, 2014

Ring! Ring! Boston Calling Heralds the Coming of Fall

by Mitch Mosk
Sir Sly © Eliot Lee Hazel 9.4
Debut, Features, Music, Our Take, ReviewsSeptember 14, 2014<May 18, 2025

Sir Sly’s ‘You Haunt Me’ Sends Shivers Down the Spine

by Mitch Mosk
The Eeries
Debut, Music, Our Take, ReviewsSeptember 12, 2014<September 13, 2014

The Eeries Hail Weekend Hangouts in Debut Single “Cool Kid”

by Mitch Mosk
Art, ColumnsSeptember 12, 2014<December 7, 2022

Past in Present: Instagram and the Picturesque

by Kate Butler
Posts pagination
1 … 719 720 721 722 723 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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