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Dex Green © Hannah Hall
Music, PremieresJune 12, 2024<June 12, 2024

“Here she comes, there she goes”: Dwelling in Dex Green’s Dreamy, Soul-Soaked Meditation on Love

by Mitch Mosk
Axel Flóvent © Magnus Andersen
Features, Interviews, Music, Track-by-TrackJune 12, 2024<June 12, 2024

Track-by-Track: Axel Flóvent Discusses His Creative Process & Masterful, Introspective New Album ‘Away From This Dream’

by Aaron Childree
A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

by Marissa DeLeon
Azu Yeché © Bo Morgan
Music, Music Videos, PremieresJune 12, 2024<June 12, 2024

“All our plans up in flames”: Azu Yeché’s Heavy Heart Aches in “Leave Me Now,” a Beautiful Ballad of Raw Soul & Unrequited Love

by Mitch Mosk
Lawrence Matthews © Ahmad George
Columns, Music, This Just In, Today's SongJune 11, 2024<June 12, 2024

“These here is dark times”: Lawrence Matthews Honors & Unpacks the Black Experience in “Once More & Again (Our Mourning)” ft. Idi X Teco

by Mitch Mosk
Jontavious Willis © The Jontavious Willis Team
Music, PremieresJune 11, 2024<June 11, 2024

Premiere: Jontavious Willis Invites You to Embrace the Blues & “Keep Your Worries On the Dance Floor”

by Mitch Mosk
dog eat dog food world - Niko B
Debut, Music, ReviewsJune 11, 2024<June 11, 2024

‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics

by Liv Goodbody
Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

by Aidan Moyer
Chappell Roan © N Bradley
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival

by Julia Dzurillay
Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

by Mitch Mosk
HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

by Atwood Magazine Staff
Nicky Youre © 2024
Features, Interviews, MusicJune 10, 2024<June 11, 2024

“Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion

by Mitch Mosk
Sabrina Carpenter © Paigge Warton, Gov Ball 2024
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single

by Julia Dzurillay
Rosie Lowe © Abiella Aland
Columns, Music, Today's SongJune 9, 2024<June 7, 2024

Sweet, Surreal, & Absolutely Mystifying: Rosie Lowe Radiates a Sultry Seduction on “Mood to Make Love”

by Jake Fewx
Yannis Philippakis and Tony Allen © Kit Monteith
Columns, Debut, Music, Today's SongJune 8, 2024<June 7, 2024

Yannis & The Yaw Combine the Brilliance of Tony Allen & the Talent of Foals’ Yannis Philippakis to Create Catchy, Breezy Rock on “Walk Through Fire”

by Oliver Crook
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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