Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
Columns, Features, Music, Weekly RoundupSeptember 2, 2022<September 1, 2022 Atwood Magazine’s Weekly Roundup: September 2, 2022 by Atwood Magazine Staff
Features, Lists, MusicDecember 30, 2021<January 4, 2024 Atwood Magazine’s 2021 Albums of the Year by Atwood Magazine Staff
Features, Interviews, MusicJune 8, 2021<February 26, 2022 ‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love by Mitch Mosk
Columns, Music, Today's SongFebruary 14, 2021<February 14, 2021 Today’s Song: Julien Baker Haunts the Pop World with New Single “Favor” by Ethan James
Music, ReviewsJuly 9, 2020<December 1, 2020 On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death by James Crowley
Debut, Features, Music, ReviewsAugust 24, 2018<August 24, 2018 Phoebe Bridgers, Julien Baker, & Lucy Dacus Prove There’s Power in Numbers with boygenius Supergroup by Abby Jones
Features, Music, Our Take, ReviewsNovember 14, 2017<November 14, 2017 Our Take: Julien Baker Confronts Herself, Relationships and Morality in ‘Turn Out the Lights’ by Baylee Less
Columns, Music, Weekly RoundupNovember 10, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 10, 2017 by Atwood Magazine Staff
Music, ReviewsJanuary 26, 2017<January 26, 2017 Review: Julien Baker’s “Funeral Pyre” Finds Immaculate Beauty in Hollow Places by Nicholas Anderson
For the Love of Music
For the Love of Music
