Columns, Features, Music, Weekly RoundupMarch 29, 2024<April 4, 2024 Atwood Magazine’s Weekly Roundup: March 29, 2024 by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupFebruary 9, 2024<February 9, 2024 Atwood Magazine’s Weekly Roundup: February 9, 2024 by Atwood Magazine Staff
Artist to Watch, Features, Lists, MusicJanuary 30, 2023<March 14, 2023 Atwood Magazine’s 2023 Artists to Watch by Atwood Magazine Staff
Features, Lists, MusicDecember 15, 2022<March 11, 2023 Atwood Magazine’s Top Artist Discoveries of 2022 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackOctober 7, 2022<March 11, 2023 ‘How It Ends’: Brooklyn’s TOLEDO Debut with Trauma, Vulnerability, & Breathtaking Sonic Warmth by Mitch Mosk
Columns, Editor's Picks, Features, MusicJune 10, 2022<September 29, 2022 Editor’s Picks 66: TOLEDO, Yeah Yeah Yeahs, Why Bonnie, Phoenix, Marta Knight, & Matteo! by Mitch Mosk
Features, Music, Reviews, Track-by-TrackMay 26, 2021<May 27, 2021 “Quick and Dirty”: TOLEDO’s Stirring ‘Jockeys of Love’ EP Is a Wondrous Indie Folk Daydream by Mitch Mosk
For the Love of Music
For the Love of Music
