Debut, Features, Music, Reviews, Track-by-TrackDecember 9, 2021<December 10, 2021 Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album by Mitch Mosk
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<February 26, 2022 “Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’ by Mitch Mosk
Books, Music, ReviewsDecember 8, 2021<December 8, 2021 Book Review: Raekwon Gives Us a Powerful Snapshot of ’90s Hip-Hop and NY Life in ‘Raekwon: From Staircase to Stage’ by Oliver Crook
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021 “Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021 A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’ by Joe Beer
Features, Interviews, MusicDecember 3, 2021<December 9, 2022 “Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland by Ben Niesen
Books, Columns, MusicDecember 2, 2021<December 2, 2021 Book Review: Kelefa Sanneh Spans Seven Genres, Fifty Years, & Countless Gems in ‘Major Labels’ by Oliver Crook
Features, Music, Reviews, Track-by-TrackDecember 1, 2021<December 7, 2021 “Parts Becoming Whole”: Inside Cold Weather Company’s Cinematic & Wondrous 4th Album ‘Coalescence’ by Mitch Mosk
Features, Music, Reviews, RoundtableDecember 1, 2021<June 29, 2024 Roundtable Discussion: A Review of Adele’s ’30’ by Atwood Magazine Staff
Features, Music, Reviews, Track-by-TrackNovember 30, 2021<December 1, 2021 “Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackNovember 29, 2021<December 7, 2021 “Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album by Mitch Mosk
Features, Music, Reviews, RoundtableNovember 29, 2021<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Red (Taylor’s Version)’ by Atwood Magazine Staff
(archived), Features, Music, Reviews, Track-by-TrackNovember 24, 2021<February 26, 2022 “Reflective, Candid, Journey”: Ghanaian Rapper M.anifest Stuns, Stirs, & Soars on ‘Madina to the Universe’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2021<November 24, 2021 “Nostalgic, Cathartic, & Honest”: Toronto’s Loviet Comes to Life in Dazzling Debut Album, ‘777’ by Mitch Mosk
9.1 Debut, Features, Music, Our Take, Reviews, Track-by-TrackNovember 22, 2021<March 11, 2023 Feature: South Florida’s Hush Forte Dives Inside His Intimate Coming-of-Age Project ‘Look Closely’ by Mitch Mosk
For the Love of Music
For the Love of Music
