8.9 Music, Our Take, ReviewsJanuary 27, 2020<December 15, 2020 Open Yet Effervescent: The Big Moon’s ‘Walking Like We Do’ Is a Punk-Pop Panacea by Tim Horwood
7.8 Music, Our Take, ReviewsJanuary 23, 2020<December 15, 2020 Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise by Josh Weiner
7.4 Music, Our Take, ReviewsJanuary 20, 2020<December 15, 2020 No Sophomore Slump Here: Our Take on Camila Cabello’s ‘Romance’ by Josh Weiner
Music, ReviewsJanuary 17, 2020<January 17, 2020 Review: Mac Miller’s Beautiful Posthumous Album ‘Circles’ by Mariel Fechik
9 Debut, Music, Our Take, ReviewsJanuary 17, 2020<May 13, 2024 Sudan Archives’ ‘Athena’: Lessons for Mere Mortals from a Thoroughly Modern Violinist by Tim Horwood
9 Music, Our Take, ReviewsJanuary 16, 2020<December 15, 2020 A Catharsis for the Weary Soul: A Track-by-Track Review of Keaton Henson’s ‘Six Lethargies’ by Adrian Vargas
Music, ReviewsJanuary 16, 2020<January 17, 2020 Review: Pinegrove Touch on Themes of Isolation & Monotony in 4th Album ‘Marigold’ by Bethan Harper
Music, ReviewsJanuary 15, 2020<January 15, 2020 Discovering Some of History’s Hidden Figures in Frank Turner’s ‘No Man’s Land’ by Guest Writer
8.7 Music, Our Take, ReviewsJanuary 14, 2020<December 15, 2020 Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s by Josh Weiner
Features, Music, Reviews, RoundtableDecember 19, 2019<June 29, 2024 Roundtable Discussion: A Review of Harry Styles’ ‘Fine Line’ by Atwood Magazine Staff
Features, Interviews, MusicDecember 16, 2019<December 16, 2019 Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’ by Mitch Mosk
Music, ReviewsNovember 29, 2019<November 29, 2019 Review: ‘Come On Up to the House: Women Sing Waits’ Is a True Gift to Us All by Ilana Kalish
Debut, Features, Music, PremieresNovember 26, 2019<November 27, 2019 Premiere: The Push & Pull of Conversing with Oceans’ Dynamic Debut Album ‘Wild / Dreams’ by Mitch Mosk
Music, ReviewsNovember 22, 2019<November 22, 2019 Review: Stonefield’s Unapologetic Psych-Rock Journey ‘Far From Earth’ by Mitch Mosk
8.3 Debut, Music, Our Take, ReviewsNovember 19, 2019<December 15, 2020 Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century by Alicia Bugallo
For the Love of Music
For the Love of Music
