Features, Lists, MusicDecember 18, 2024<December 18, 2024 Atwood Magazine’s 2024 Songs of the Year by Atwood Magazine Staff
Columns, Music, Today's SongAugust 8, 2024<August 8, 2024 Today’s Song: ‘Brat’ Summer Is Here to Stay With Charli XCX’s “Guess” ft. Billie Eilish by Marc Maleri
Features, Lists, MusicJuly 25, 2024<July 31, 2024 The Best Songs of 2024 (So Far) by Atwood Magazine Staff
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’ by Atwood Magazine Staff
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023 Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?” by Mariel Fechik
Features, Lists, MusicDecember 31, 2021<February 7, 2022 Atwood Magazine’s 2021 Songs of the Year by Atwood Magazine Staff
Music, ReviewsAugust 4, 2021<August 4, 2021 Review: Billie Eilish Is Back and ‘Happier Than Ever’ by Mariel Fechik
Columns, Music, Today's SongMay 24, 2021<May 24, 2021 Today’s Song: Billie Eilish Speaks Out on “Your Power” by Kosiso Ugwueze
Columns, Music, Today's SongNovember 26, 2020<November 25, 2020 Today’s Song: Billie Eilish’s Flippant New Single “Therefore I Am” by Mariel Fechik
Music, Reviews, This Just InAugust 3, 2020<August 3, 2020 This Just In: Billie Eilish Leads Us to Self-Love with Intimate Single “my future” by Coco Rich
Columns, Features, Music, Weekly RoundupFebruary 14, 2020<February 14, 2020 Atwood Magazine’s Weekly Roundup: February 14, 2020 by Atwood Magazine Staff
Music, Podcast, Tunes & TumblersFebruary 4, 2020<April 30, 2023 Podcast: Tunes & Tumblers Toast Billie Eilish’s Historic Grammy Wins by Anthony Kozlowski
Features, Music, ReviewsDecember 20, 2019<March 6, 2020 Atwood Magazine’s 2019 Songs of the Year by Atwood Magazine Staff
Albums of the Decade, Columns, Features, MusicDecember 13, 2019<January 9, 2020 Our Favorite Albums of the Decade: 2019 by Atwood Magazine Staff
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff