Debut, Interviews, Music, PremieresAugust 26, 2019<April 12, 2024 Album Premiere: Humbird’s Debut Blends Simple & Strange in Perfect Harmony with ‘Pharmakon’ by Coco Rich
7.1 Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
9 Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
Debut, Music, ReviewsAugust 12, 2019<January 12, 2023 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
Debut, Music, ReviewsAugust 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Debut, Music, Our Take, ReviewsJune 25, 2019<June 26, 2019 Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’ by Ben Niesen
Debut, Music, Our Take, ReviewsJune 18, 2019<June 18, 2019 Our Take: Crumb’s ‘Jinx’ Paves New Roads for Independent Music by Matthew Dunn
9 Debut, Interviews, Music, Our Take, ReviewsJune 14, 2019<September 17, 2021 Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album by Mitch Mosk
Features, Interviews, MusicMay 29, 2019<July 3, 2019 All About Connecting: A Conversation with BAILEN by Maggie McHale
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
Debut, Features, Interviews, MusicMay 3, 2019<May 3, 2019 Feature: Getting to the Truth in Kevin Garrett’s ‘HOAX’ by Luke Pettican
Debut, Music, ReviewsApril 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Frankie Rose
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<March 2, 2025 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
