Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021 Atwood Magazine’s Weekly Roundup: International Women’s Day 2021 by Atwood Magazine Staff
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020 Atwood Magazine’s Weekly Roundup: November 27, 2020 by Atwood Magazine Staff
Features, Music, Weekly RoundupFebruary 21, 2020<February 21, 2020 Atwood Magazine’s Weekly Roundup: February 21, 2020 by Atwood Magazine Staff
Features, Music, ReviewsDecember 20, 2019<March 6, 2020 Atwood Magazine’s 2019 Songs of the Year by Atwood Magazine Staff
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019 This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude” by Lexi Lane
Features, Music, Reviews, RoundtableJune 2, 2017<June 29, 2024 Roundtable Discussion: A Review of Halsey’s ‘Hopeless Fountain Kingdom’ by Atwood Magazine Staff
Features, Interviews, MusicJanuary 8, 2016<May 12, 2023 Making a Pop Artist: A Conversation with CAPPA by Mitch Mosk
6.9 Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023 Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation by Liz Wood
Debut, Music, Our Take, ReviewsSeptember 2, 2015<September 2, 2015 Our Take: Crying Out for “Cry Baby” by Maggie McHale