Features, Interviews, MusicNovember 16, 2020<November 16, 2020 “It is what it is”: Inside Rama Gu’s Intimate & Vulnerable Indie Folk Debut, ‘The Garden’ by Mitch Mosk
Debut, Music, Premieres, Track-by-TrackNovember 16, 2020<November 17, 2020 Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut by Mitch Mosk
Features, Interviews, MusicNovember 16, 2020<December 9, 2024 A Decade Inside: Agoraphobic Musician Behind Flatsound Discusses Art and Mental Health by Guest Writer
7.1 Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020 Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It by Danny Vagnoni
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020 “Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’ by Mitch Mosk
Features, Interviews, MusicNovember 13, 2020<December 22, 2020 Freedom in Limitations & Other People’s Stories: A Conversation with Marika Hackman by Nicole Almeida
Debut, Interviews, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020 “Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP by Mitch Mosk
Debut, Features, Interviews, MusicNovember 13, 2020<April 8, 2021 Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’ by Alicia Bugallo
Features, Interviews, Music, Today's SongNovember 13, 2020<November 13, 2020 Interview: Chicago’s Tara Terra Open Up with Intimacy & Fragility on Tender “T-Shirt” by Mitch Mosk
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020 “Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’ by Mitch Mosk
Music, Reviews, RoundtableNovember 12, 2020<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’ by Atwood Magazine Staff
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020 Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP by Mitch Mosk
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020 Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’ by Jordan Catagnus
Interviews, Music, PremieresNovember 12, 2020<November 12, 2020 Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone” by Bethan Harper
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020 Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’ by Mitch Mosk
For the Love of Music
For the Love of Music
