Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019 Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss by Mitch Mosk
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019 Creative Democracy: A Conversation with Tiny Hueman by Danny Vagnoni
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021 Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is by James Crowley
Music, PremieresFebruary 26, 2019<February 26, 2019 Premiere: Gold Connections’ “Locust Days” Is a Pace Through the Whirlwind of Life by Frankie Rose
Debut, Interviews, MusicFebruary 12, 2019<February 12, 2019 Songs for Driving Alone: A Conversation with Weathers by James Crowley
Debut, Features, Music, Our Take, ReviewsJanuary 31, 2019<January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
Editorials, MusicJanuary 30, 2019<January 30, 2019 A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof by Lindsay Call
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019 Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’ by Nick Baron
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019 Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits” by Danny Vagnoni
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019 Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians” by Hermione Kellow
Music, PremieresJanuary 25, 2019<January 25, 2019 Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down” by Mitch Mosk
Columns, Music, Today's SongJanuary 16, 2019<January 16, 2019 Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level” by Oliver Crook
Music, PremieresJanuary 15, 2019<January 15, 2019 Premiere: False Hopes & Love in Noble Kids’ “West of Here” by Mitch Mosk
Columns, Music, This Just In, Today's SongJanuary 9, 2019<January 9, 2019 Catfish and the Bottlemen Return with Stunning Anthem “Longshot” by Mitch Mosk
Features, Music, News, ReviewsJanuary 4, 2019<June 20, 2024 Atwood Magazine’s 2018 Artists of the Year by Atwood Magazine Staff