Music, PremieresAugust 1, 2019<August 1, 2019 Premiere: Rosier Reveal Their New Identity in “Vie Pénible” by Ditta Demeter
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019 Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If” by Luke Pettican
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019 Review: Kew the Music Festival 2019 by Hermione Kellow
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020 Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record by Oliver Crook
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, PremieresJuly 31, 2019<July 31, 2019 Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People” by Mitch Mosk
Columns, Music, Today's SongJuly 31, 2019<July 31, 2019 Today’s Song: The Sonder Bombs Break the BS on “I Don’t Have One Anymore” by James Crowley
Features, Interviews, MusicJuly 30, 2019<August 22, 2019 Feature: Thunderpussy Sink Their Claws into Rock and Roll by Anthony Kozlowski
Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty by Mitch Mosk
Debut, Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U” by Mitch Mosk
Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019 Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest by Oliver Crook
Columns, Music, Today's SongJuly 30, 2019<July 25, 2019 Today’s Song: Adam Melchor’s Bittersweet Summer Joyride by Audrey Steeves
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019 Premiere: FENCES’ Stirring American Western “Same Blues” by Mitch Mosk
Features, Interviews, MusicJuly 29, 2019<July 29, 2019 Naked & Deep Pop: A Conversation with Temptress by Kelsey Fitzgerald
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
For the Love of Music
For the Love of Music
