Features, Interviews, MusicJune 16, 2026<June 16, 2026 “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ by Mitch Mosk
Features, Music, Reviews, RoundtableJune 16, 2026<June 16, 2026 Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ by Atwood Magazine Staff
Debut, Interviews, Music, Track-by-TrackJune 16, 2026<June 17, 2026 “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You by Aileen Goos
Features, Interviews, MusicJune 16, 2026<June 16, 2026 “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ by Mitch Mosk
9.4 Music, Our Take, ReviewsJune 16, 2026<June 16, 2026 Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ by Emily Weatherhead
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026 “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession by Mitch Mosk
Interviews, MusicJune 15, 2026<June 17, 2026 “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention by Chloe Robinson
7.9 Music, Our Take, ReviewsJune 15, 2026<June 15, 2026 Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ by Heleen Weber
Essays, Music, Pride MonthJune 15, 2026<June 15, 2026 “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver by Guest Writer
Columns, Music, Today's SongJune 14, 2026<June 14, 2026 “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode by Ashley Littlefield
Columns, Debut, Music, Today's SongJune 13, 2026<June 13, 2026 “I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head” by Danielle Holian
Columns, Features, Music, Weekly RoundupJune 12, 2026<June 12, 2026 Atwood Magazine’s Weekly Roundup: June 12, 2026 by Atwood Magazine Staff
Essays, MusicJune 12, 2026<June 12, 2026 “The Making of ‘The Violence’”: An Essay by Darren Hayman by Guest Writer
Features, Interviews, MusicJune 12, 2026<June 18, 2026 Interview: Madds Buckley Sings for the Girls, Gays, and Geeks by Winter Qiu
Columns, Music, Today's SongJune 12, 2026<June 12, 2026 “I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure” by Emily Weatherhead