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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

Interviews, MusicJuly 3, 2020<July 3, 2020

Meet Zanski: A Talented Young EDM Producer Unafraid of Tackling Tough Topics

Midnight Kids © Dan Franco
Interviews, MusicJune 29, 2020<June 29, 2020

Interview with Midnight Kids: Two Talented Youngsters Bring the Night Sky to Life on Vibrant Debut, ‘The Lost Youth’

How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

sobhhï © 2020
Features, Interviews, MusicJune 5, 2020<June 5, 2020

Interview with Sobhhi: A Dreamy Modern Approach to “Le Rouge et le Noir.”

Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

Post Rome © 2020
Features, Interviews, MusicJune 1, 2020<May 30, 2020

Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed

Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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