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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Interviews, MusicNovember 19, 2020<November 19, 2020

Interview: Young, Ambitious Midwestern Singer Shi la Rosa Gears Up For Forthcoming EP

Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

BLACKPINK © 2020 7.5
Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020

Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’

Public Enemy © 2020 8
Music, Our Take, ReviewsOctober 29, 2020<December 15, 2020

Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy

MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

Tom Lumley & The Brave Liaison © Sam J Lance
Interviews, MusicOctober 14, 2020<October 14, 2020

Interview: Tom Lumley & The Brave Liaison Continue to do the Cambridgeshire Rock Scene Proud

Non Binary Place - Godford
Interviews, MusicOctober 8, 2020<October 8, 2020

Interview with Godford: An Elusive Rave Artist Takes Us on a Tour of ‘Non-Binary Place’ in Debut Album

Alicia Keys © Milan Zrnic 8.7
Music, Our Take, ReviewsSeptember 29, 2020<December 15, 2020

Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on ‘ALICIA’

Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

Zeshan B © Harris Ansari
Interviews, MusicAugust 31, 2020<August 31, 2020

Interview: The Passionate & Multicultural Zeshan B Gets the Rallying Cry Going on Sophomore LP ‘Melismatic’

Posts pagination
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Recent Posts

  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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