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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Debut, Interviews, MusicDecember 8, 2020<December 8, 2020

Interview with Terrell Morris: Hip-Hop Up-and-Comer Gets Musical & Vulnerable on Eclectic Debut ‘Lavender’

George Holliday © 2020
Interviews, MusicDecember 4, 2020<February 24, 2025

A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road”

Interviews, MusicNovember 19, 2020<November 19, 2020

Interview: Young, Ambitious Midwestern Singer Shi la Rosa Gears Up For Forthcoming EP

Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

BLACKPINK © 2020 7.5
Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020

Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’

Public Enemy © 2020 8
Music, Our Take, ReviewsOctober 29, 2020<December 15, 2020

Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy

MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

Tom Lumley & The Brave Liaison © Sam J Lance
Interviews, MusicOctober 14, 2020<October 14, 2020

Interview: Tom Lumley & The Brave Liaison Continue to do the Cambridgeshire Rock Scene Proud

Non Binary Place - Godford
Interviews, MusicOctober 8, 2020<October 8, 2020

Interview with Godford: An Elusive Rave Artist Takes Us on a Tour of ‘Non-Binary Place’ in Debut Album

Alicia Keys © Milan Zrnic 8.7
Music, Our Take, ReviewsSeptember 29, 2020<December 15, 2020

Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on ‘ALICIA’

Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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