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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

BLACKPINK © 2020 7.5
Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020

Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’

Public Enemy © 2020 8
Music, Our Take, ReviewsOctober 29, 2020<December 15, 2020

Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy

MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

Tom Lumley & The Brave Liaison © Sam J Lance
Interviews, MusicOctober 14, 2020<October 14, 2020

Interview: Tom Lumley & The Brave Liaison Continue to do the Cambridgeshire Rock Scene Proud

Non Binary Place - Godford
Interviews, MusicOctober 8, 2020<October 8, 2020

Interview with Godford: An Elusive Rave Artist Takes Us on a Tour of ‘Non-Binary Place’ in Debut Album

Alicia Keys © Milan Zrnic 8.7
Music, Our Take, ReviewsSeptember 29, 2020<December 15, 2020

Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on ‘ALICIA’

Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

Zeshan B © Harris Ansari
Interviews, MusicAugust 31, 2020<August 31, 2020

Interview: The Passionate & Multicultural Zeshan B Gets the Rallying Cry Going on Sophomore LP ‘Melismatic’

The Wailers © 2020
Features, Interviews, MusicAugust 26, 2020<August 26, 2020

Interview with The Wailers: Bob Marley’s Old Companions Deliver Their 21st Century Debut, ‘One World’

Big Words © Wilhelm Philipp
Interviews, MusicAugust 17, 2020<August 17, 2020

Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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