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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Interviews, MusicAugust 10, 2020<August 9, 2020

Interview: English EDM-Maker Shadient Opens His Ears and His Heart on New EP ‘Infinite Structure’

Debut, Interviews, MusicAugust 4, 2020<August 4, 2020

Interview: Tomode’s “Destiny No. 20” is a Disco-Drenched Debut Single to Admire

Columns, Music, Today's SongAugust 3, 2020<August 3, 2020

Today’s Song: Saved by Friday Break Their Four-Year Dry Spell With Uplifting Single “A Love Song”

Raven Artson © Rick Erfmann
Features, Interviews, MusicJuly 30, 2020<July 30, 2020

Interview: Raven Artson Sends His Solo Career Soaring Off in L.A. with EP ‘notice me’

Columns, Debut, Music, Today's SongJuly 28, 2020<July 28, 2020

Today’s Song: Untold Poet Makes a Strong First Impression on Debut Single “Start to Speak”

Columns, Music, Today's SongJuly 23, 2020<July 22, 2020

Today’s Song: Kid Cudi and Eminem Shine on First-Ever Duet, “The Adventures of Moon Man & Slim Shady”

Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

Interviews, MusicJuly 3, 2020<July 3, 2020

Meet Zanski: A Talented Young EDM Producer Unafraid of Tackling Tough Topics

Midnight Kids © Dan Franco
Interviews, MusicJune 29, 2020<June 29, 2020

Interview with Midnight Kids: Two Talented Youngsters Bring the Night Sky to Life on Vibrant Debut, ‘The Lost Youth’

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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