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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

MC Hammer
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

’90s Nostalgia Boys Rejoice! MC Hammer Is Back Again with “U Can’t Touch This 2”

Kurt Deemer Band
Music, ReviewsMarch 31, 2021<March 30, 2021

Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes

Edwin Raphael © Gaelle Leroyer
Interviews, MusicMarch 23, 2021<March 23, 2021

A Conversation with Edwin Raphael: A Dubai Native Making Waves in Montreal with New EP ‘Staring at Ceilings’

Steve Brian © denn_is_art
Interviews, MusicMarch 23, 2021<March 23, 2021

Interview with Steve Brian: A ‘1986’ Offspring from Germany Delivers a Second Stunning Offering of EDM

Ray Moon © The Nikon Icon
Interviews, MusicMarch 22, 2021<March 22, 2021

From Darkness to “Glowin”: A Conversation with Ray Moon

alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

Jesse Gold © Arman Saturday
Music, ReviewsMarch 3, 2021<March 3, 2021

Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good”

Foo Fighters © Danny Clinch 8.3
Music, Our Take, ReviewsFebruary 24, 2021<June 2, 2023

Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style

Rome & Duddy
Features, Interviews, MusicFebruary 22, 2021<February 21, 2021

Interview with Rome & Duddy: Two Friends & Seasoned Performers Try Their Luck As a Feel-Good Duo

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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