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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

sobhhï © 2020
Features, Interviews, MusicJune 5, 2020<June 5, 2020

Interview with Sobhhi: A Dreamy Modern Approach to “Le Rouge et le Noir.”

Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

Post Rome © 2020
Features, Interviews, MusicJune 1, 2020<May 30, 2020

Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed

Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

Syd Silvair © Conner Reddan
Features, Interviews, MusicMay 26, 2020<May 26, 2020

Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting

7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

Anthony Mills © Ted Lindén
Interviews, MusicMay 19, 2020<May 19, 2020

Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label

Interviews, MusicMay 18, 2020<May 18, 2020

Dream Hunting in the Valley of the In-Between: An Interview with Man Man

Nevermind - NAWAS
Columns, Music, Today's SongMay 17, 2020<May 17, 2020

Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS

It Is What It Is - Thundercat by Eddie Alcazar 8.3
Music, Our Take, ReviewsMay 15, 2020<December 15, 2020

Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft

Columns, Music, Today's SongMay 7, 2020<May 7, 2020

Today’s Song: Noah Chenfeld Contemplates a World of Indifference on the Absorbing “Stop The Bus”

Luttrell © Demian Becerra
Features, Interviews, MusicMay 6, 2020<May 6, 2020

Interview with Luttrell: Fans of Quality Electronica are the ‘Lucky Ones’ Now

John-Robert © Spencer Ford
Debut, Interviews, MusicApril 23, 2020<April 23, 2020

Interview: Meet John-Robert, a Singer/Songwriter Full of Heart, Soul, and Acoustic Sincerity

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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