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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Nevermind - NAWAS
Columns, Music, Today's SongMay 17, 2020<May 17, 2020

Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS

It Is What It Is - Thundercat by Eddie Alcazar 8.3
Music, Our Take, ReviewsMay 15, 2020<December 15, 2020

Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft

Columns, Music, Today's SongMay 7, 2020<May 7, 2020

Today’s Song: Noah Chenfeld Contemplates a World of Indifference on the Absorbing “Stop The Bus”

Luttrell © Demian Becerra
Features, Interviews, MusicMay 6, 2020<May 6, 2020

Interview with Luttrell: Fans of Quality Electronica are the ‘Lucky Ones’ Now

John-Robert © Spencer Ford
Debut, Interviews, MusicApril 23, 2020<April 23, 2020

Interview: Meet John-Robert, a Singer/Songwriter Full of Heart, Soul, and Acoustic Sincerity

Juice © Off Season Creative
Interviews, MusicApril 21, 2020<April 21, 2020

Naruto, DiCaprio, and Musical Genre-Blending: An Interview with Juice

Cloudy June © Achernar Photography
Columns, Music, Today's SongApril 17, 2020<April 17, 2020

Today’s Song: Cloudy June Paints a Lively Portrait of a Spellbinding Lady in “High Waist to Hell”

Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

Bo Baskoro © 2020
Music, Music Videos, PremieresApril 2, 2020<April 1, 2020

Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

Riaz Ahmad © 2020
Debut, Music, ReviewsMarch 27, 2020<March 27, 2020

Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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