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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

Jesus Is King - Kanye West 7.3
Music, Our Take, ReviewsNovember 8, 2019<December 15, 2020

Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’

Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

Rosie O’Sullivan
Interviews, MusicOctober 4, 2019<October 4, 2019

Singing Soul and Striving for Acceptance: A Conversation with Rosie O’Sullivan

Denis Coleman 2019
Columns, Music, Today's SongSeptember 27, 2019<September 27, 2019

Today’s Song: “Imperfect” Is an Anti-Bullying, Pro-Young Love Hit for Denis Coleman

DJ ST. THOMAS
Interviews, MusicSeptember 20, 2019<September 20, 2019

A Conversation with DJ ST. THOMAS: A Fresh Psychedelic Slice of Electronic with Some Persian Flavoring

The Big Day - Chance the Rapper album art 7.1
Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020

Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man

The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

Let's Rock - The Black Keys 8.2
Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020

Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys

Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

Phourist and the Photons © Phourist and the Photons 2019
Music, PremieresMay 3, 2019<May 3, 2019

Premiere: Phourist & the Photons Deliver in Full Gear on “Tired of My Medication”

Abd Al Malik
Music, Our Take, ReviewsApril 18, 2019<April 18, 2019

Our Take: Abd Al Malik Still Reigns Supreme in France’s Spoken-Word Scene

head above water avril lavigne album cover
Music, Our Take, ReviewsMarch 13, 2019<March 13, 2019

Our Take: Avril Lavigne Brushes Demons Aside on ‘Head Above Water,’ Her Post-Health Scare Return to Form

Drew Davies © Georgios Elianos
Debut, Music, Music Videos, PremieresMarch 7, 2019<March 6, 2019

Premiere: Drew Davies Brings Personal Style to Classic Pop Narrative on Debut “Man on the Run”

YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

Posts pagination
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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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