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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Plàsi 'Foreign Sea' © Amanda Gylling
Features, Music, Reviews, Track-by-TrackFebruary 17, 2022<February 17, 2022

“Dream Away from Daily Life”: Inside Plàsi’s Sweetly Stirring Sophomore Album ‘Foreign Sea’

Manuel the Band © Cesar Sanchez
Features, Music, Reviews, Track-by-TrackFebruary 16, 2022<February 16, 2022

“Eclectic, but Relatable”: Inside Manuel the Band’s Sun-Kissed Sophomore LP ‘Things That Can’t Be Seen’

The Last Broadcast © Victoria Dalston
Columns, Debut, Music, Today's SongFebruary 16, 2022<February 16, 2022

Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope

Mild Orange © Kenzie Pigman
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 15, 2022

“Looking for Space”: New Zealand’s Mild Orange Revel in Life’s Depths on Warm & Wondrous Third LP

Sara-Danielle © Gaelle Leroyer
Music, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Montreal’s Sara Danielle Aches & Shakes on Dreamy New Single “Away from You”

Coyle Girelli © Shervin Lainez
Music, Music Videos, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Coyle Girelli’s Indulgent Anthem “Do You Wanna Dance?” Proves an Passionate Cut Off ‘Funland’

Beau © Tara Gallagher
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 14, 2022

Track-by-Track: NYC’s Beau Radiate Raw Emotion on Stunning EP ‘Forever’

Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

Creature Canyon © Jordan Dudenhoeffer
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022

Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves

Amy Jay © Katrina Sorrentino
Music, Premieres, Track-by-TrackFebruary 10, 2022<June 13, 2022

“Outer Calm and Inner Angst”: Amy Jay Premieres Her Ethereal & Existential Debut Album, ‘Awake Sleeper’

Partner Look © Jason Boltex
Debut, Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’

Sam Weber © Jacob Boll
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’

SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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