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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

Cots © JG and Shi
Debut, Features, Music, Premieres, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’

Ric Wilson and Bone Slim
Music, PremieresAugust 11, 2021<August 13, 2021

Premiere: Bone Slim, Ric Wilson Channel Late Nights & UK Garage in Hypnotic “Let Me Ride” ft. Lcytn

Wyse © Beth Anderton-Allen
Music, ReviewsAugust 10, 2021<August 10, 2021

Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval

The Wandering Hearts © Shane McCauly
Features, Music, Reviews, Track-by-TrackAugust 10, 2021<August 10, 2021

“Eclectic, Hopeful, & Feel-Good”: The Wandering Hearts Soar on Stunning Self-Titled Sophomore Album

LOONY © 2021
Features, Music, Reviews, Track-by-TrackAugust 6, 2021<August 6, 2021

“Forever, Soft, & Brave”: Toronto’s LOONY Is Intimate & Unfiltered in Sophomore EP ‘soft thing’

Victoria Dodson
Columns, Music, Today's SongAugust 6, 2021<August 6, 2021

Today’s Song: The Tender & Poignant Heartache of Victoria Dodson’s “Homesick”

Evan Effres © Niminde Perera
Music, ReviewsAugust 5, 2021<August 5, 2021

Review: Evan Effres Navigates Turmoil with Grace in Catchy, Cathartic “Paradigm Shift”

Pageants © Tabor Allen
Features, Music, Reviews, Track-by-TrackAugust 5, 2021<August 5, 2021

“Liberating, Confrontational, Yearning”: Pageants Shine on Sophomore Album ‘Sun and Settled Days’

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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