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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

lowloh © 2021
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: lewloh Shines on His Heart-on-Sleeve Confessional “summer boy”

CANNXN © Julie Lopez-Acosta
Debut, Music, PremieresApril 20, 2021<April 20, 2021

Premiere: CANNXN Lights a Burning Fire in Debut EP ‘Will I Always Feel This Way?’

Slow Down - Gilligan Moss
Music, ReviewsApril 20, 2021<April 20, 2021

Brooklyn’s Gilligan Moss Shine with Feel-Good Grooves on Summery “Slow Down” & Self-Titled Debut

Cheer Captain - Charli Adams
Features, Interviews, MusicApril 19, 2021<October 5, 2021

“I’m a people pleaser, but I don’t want to be her”: Charli Adams Dives into Her Liberating Anthem “Cheer Captain”

SYML
Features, Music, Reviews, Track-by-TrackApril 16, 2021<April 26, 2021

Loss Sparks Life: SYML Channels Grief & Trauma on His Stirring ‘DIM’ EP

Something Better - Emily Wolfe
Music, PremieresApril 15, 2021<April 19, 2021

Premiere: Emily Wolfe Shines Bright in Buoyant, Spirited Anthem “Something Better”

Atwood Editor's Picks 50
Columns, Editor's Picks, Features, MusicApril 14, 2021<October 5, 2021

Editor’s Picks 50: DE’WAYNE, Saint Sister, Aquagie, Years & Years, Matt Muse, & Sour Widows

Kuinka © Rachel Bennett
Music, PremieresApril 14, 2021<April 14, 2021

Premiere: Kuinka Glimmer N’ Glow with Euphoric Dance Anthem “All Mine”

cehryl © Jonny Ho
Features, Music, Reviews, Track-by-TrackApril 14, 2021<October 5, 2021

“Nostalgic, Ghost-Like, & Reflective”: cehryl Dives into the Breathtaking Depths of Her ‘time machine’ EP

Holly Humberstone © Jordan Curtis Hughes
Features, Interviews, MusicApril 14, 2021<April 14, 2021

Interview: Holly Humberstone on Her Intimate & Vulnerable “Haunted House”

Amy Milner © 2021
Music, PremieresApril 14, 2021<April 14, 2021

“Hopeful, Honest, & Undiluted”: Amy Milner Premieres Her Debut Album ‘spell_hope’

Giulia © Victoria Munoz
Music, PremieresApril 13, 2021<April 13, 2021

Premiere: Giulia.’s Sweet “Lucky Ones” Is an Ode to Finding Beauty in Darkness

Flyte © Jan Philipzen
Features, Interviews, MusicApril 13, 2021<August 25, 2023

“Written in a Dark Cave, Recorded in the Sunshine”: Flyte Sink & Soar on ‘This Is Really Going to Hurt’

Caoilfhionn Rose © Emily Dennison
Features, Music, Reviews, Track-by-TrackApril 12, 2021<April 14, 2021

“Hopeful, Vibrant, & Vivid”: Caoilfhionn Rose Blossoms on Tender & Smoldering Sophomore LP ‘Truly’

Cattle in the Sky - Hounds 9.6
Features, Music, Our Take, Reviews, Track-by-TrackApril 12, 2021<April 13, 2021

Feature: St. Louis’ Hounds Seize the Day on Sophomore LP ‘Cattle in the Sky’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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