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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lake Saint Daniel © Danny Hoshino
Debut, Features, Interviews, MusicOctober 13, 2020<November 15, 2020

Sweet, Smooth, & Sad: Lake Saint Daniel’s Reflective & Stirring Solo Debut, ‘Good Things’

Remover - Darren Jessee
Features, Interviews, Music, PremieresOctober 13, 2020<March 27, 2023

Swoon, Deep, & Real: Darren Jessee’s ‘Remover’ Is a Tender, Quiet Tempest

Luka Kuplowsky © Melissa Richards
Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Kaurismaki, Miyazaki, Cocteau: Luka Kuplowsky Embraces Sound & Space in ‘Stardust’

Songs from After So Many Days - Jim and Sam
Debut, Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Anywhere, Everywhere, Everyday: Jim and Sam Dive into Debut Album ‘Songs from After So Many Days’

The Heavy Hours © 2020
Music, Music Videos, PremieresOctober 12, 2020<October 12, 2020

Premiere: Cincinnati’s The Heavy Hours Embrace a Heartfelt, Stinging “Ache” in Poignant Power Ballad

Post Fear © Thea Krulwich
Music, PremieresOctober 12, 2020<October 11, 2020

Premiere: Self-Identity & Raw Indie Rock Flow Through Post Fear’s New Single, “Feels So Familiar”

Fish Pond Fish - Darlingside
Features, Interviews, Music, Reviews, Track-by-TrackOctober 9, 2020<July 30, 2023

Feature: Darlingside’s Dazzling Album ‘Fish Pond Fish’ Is a Connective Triumph

Stables © 2020
Music, Reviews, Track-by-TrackOctober 9, 2020<October 9, 2020

Track-by-Track: London Duo Stables Enrich & Energize in 3rd Album ‘Silhouettes’

Anya Marina
Music, Music Videos, PremieresOctober 9, 2020<October 9, 2020

Premiere: Anya Marina’s Moving “16 Letters” Spotlights 21st Century Communication Breakdown

Must Be a Dream - Tempesst
Features, Music, Reviews, Track-by-TrackOctober 8, 2020<November 15, 2020

Colourful, Dense, & Unpredictable: Tempesst’s Wondrous Debut Album ‘Must Be a Dream’

in earnest © 2020
Debut, Music, Reviews, Track-by-TrackOctober 8, 2020<October 8, 2020

Track-by-Track: The Intimate Upheaval of in earnest’s Self-Titled Debut EP

Charli Adams © Jasmine Archie
Music, Reviews, This Just InOctober 8, 2020<November 15, 2020

Artist to Watch: Charli Adams Soars in Pulsing & Poignant New Single “Didn’t Make It”

The Foxymorons © 2020 3
Music, Music Videos, PremieresOctober 8, 2020<November 15, 2020

Premiere: Fort Worth’s The Foxymorons Unveil Their Tender & Intimate “Uma Thurman”

Terrible Sons © Dan Watson
Music, PremieresOctober 8, 2020<October 7, 2020

Premiere: New Zealand’s Terrible Sons Shimmer & Shine on “You Are the Gold”

Eve Owen © Chris Almeida
Debut, Features, Interviews, MusicOctober 7, 2020<October 7, 2020

Curious, Honest, & Youthful: Eve Owen Dives into Her Breathtaking Debut Album ‘Don’t Let the Ink Dry’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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