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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

Debut, Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: NYC’s R O N I Captivates with Sleek & Seductive ‘Crown’ EP

Steven van Betten
Debut, Music, PremieresSeptember 22, 2020<September 22, 2020

Premiere: Stillness & Surrender in Steven van Betten’s “Flame In Your Eye” ft. Johanna Samuels & Ted Taforo

Maggie Miles 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’

Host - Cults
Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’

McCall © Haley Kreofsky 10
Features, Music, Reviews, Track-by-TrackSeptember 18, 2020<April 15, 2022

Artist to Watch: McCall’s ‘On Self Loathing’ EP Is a Stunning Tapestry of Vulnerable, Electrifying Music

The Tibbs © Sven Benjamins
Music, PremieresSeptember 18, 2020<September 18, 2020

Premiere: Amsterdam Blue-Eyed Soul Band The Tibbs Seduce with “Damaged Heart”

Handsome Ghost © 2020
Features, Interviews, MusicSeptember 18, 2020<March 7, 2023

Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning

Sir Sly 2020 © Kevin Clark
Interviews, MusicSeptember 18, 2020<October 6, 2020

Interview: Sir Sly Return with Hope, Relief, & Positivity in New Single “Material Boy”

Blood Root © Micah Mathewson
Music, ReviewsSeptember 17, 2020<September 17, 2020

EP Review: Embracing Intimate Upheavals with Blood Root’s Debut ‘Crux’

Get What's Mine for You - Jack Swing
Music, Music Videos, PremieresSeptember 17, 2020<September 18, 2020

Premiere: Pittsburgh’s Jack Swing Soak Up the Groove on Fresh & Funky “Get What’s Mine for You”

Campbell Sibthorpe
Features, Music, Reviews, Track-by-TrackSeptember 16, 2020<September 16, 2020

Intimate, Freeing, & Expansive: Campbell Sibthorpe Dives Deep into Himself in ‘YTown’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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