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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Time's Up - Quarry
Music, ReviewsSeptember 30, 2020<September 29, 2020

Review: The Sultry Seduction of Quarry’s Deep Vibe, “Time’s Up”

Miss the Feeling - Hollyy
Debut, Music, Reviews, Track-by-TrackSeptember 29, 2020<February 20, 2025

Track-by-Track: Chicago’s Hollyy Stir Up Classic Soul in Heated Debut EP ‘Miss the Feeling’

Risking Illness - Ian Wayne
Music, Reviews, Track-by-TrackSeptember 29, 2020<September 29, 2020

Confusion, Loss, & Quietude: Ian Wayne Reckons with Grief in Second Album ‘Risking Illness’

Papi Shiitake
Debut, Music, PremieresSeptember 29, 2020<September 29, 2020

Premiere: Papi Shiitake Don a Weary “Smile” in Dreamy Shoegaze Anthem

Hannah Georgas © Vanessa Heins
Features, Interviews, MusicSeptember 28, 2020<September 28, 2020

Comfort, Space, & Sanctuary: Hannah Georgas Dives into Her Intimate Album, ‘All That Emotion’

Didirri © Gil Gilmour 9.3
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2020<December 15, 2020

Track-by-Track: Didirri Blends Heartbreak & Hope in Stunning ‘Sold for Sale’ EP

Shannen James © 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 25, 2020<September 25, 2020

Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP

The Islas © 2020
MusicSeptember 25, 2020<September 25, 2020

Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame

Soda Blonde 2020 © Ste Murray
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020

This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence

Fly by Night x Shoffy © 2020 3
Music, PremieresSeptember 24, 2020<September 23, 2020

Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy

Atwood Magazine Editor's Picks 40
MusicSeptember 24, 2020<October 6, 2020

Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker!

Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

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Recent Posts

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  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
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  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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