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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Yukon Blonde © Erika Saul
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’

90's Kids
Debut, Interviews, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP

Tara Terra © Tracy Conoboy
Features, Interviews, Music, Today's SongNovember 13, 2020<November 13, 2020

Interview: Chicago’s Tara Terra Open Up with Intimacy & Fragility on Tender “T-Shirt”

VALLEY © 2020
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020

“Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’

Woodlock © Kane Hibbered
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP

Magazines © Dan Ffrench
Music, PremieresNovember 12, 2020<November 12, 2020

Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue”

Cry Club © Giulia McGauran
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020

Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’

Leif Vollebekk © Vanessa Heins
Interviews, MusicNovember 11, 2020<November 11, 2020

Bon Iver, Space, and a Country Song Lullaby: An Interview with Leif Vollebekk

Glded © Elle Ternes
Music, ReviewsNovember 11, 2020<November 10, 2020

Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP

Elizabeth Woolf © 2020
Columns, Music, Today's SongNovember 10, 2020<November 10, 2020

Today’s Song: Elizabeth Woolf’s “Party” Is a Cordial Invitation to Smile

Frames © 2020
Music, PremieresNovember 10, 2020<November 10, 2020

Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell”

Novo Amor © Daniel Alexander Harris & Aline Brant
MusicNovember 9, 2020<November 15, 2020

Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’

Moon Mouth © Greg Fechik & Erick Arias
Columns, Debut, Interviews, Music, Today's SongNovember 9, 2020<November 9, 2020

Interview: Get the Led Out with Chicago’s Moon Mouth and Their Debut Single “Ghost”

Andrea Magee © 2020
Debut, Interviews, Music, PremieresNovember 5, 2020<November 5, 2020

Interview: Andrea Magee Unveils Debut Album ‘Only Love’ Bursting with Sentimental Sincerity

Mishegas © Morgan Kranston, Laith Khalifeh
Debut, Music, PremieresNovember 5, 2020<November 5, 2020

Premiere: Mishegas’ “Untitled” Instrumental Radiates a Soothing Tranquility

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
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  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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