• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Stonefox © Jeff Anderson Jnr
Interviews, Music, Reviews, Track-by-TrackAugust 20, 2020<August 20, 2020

Track-by-Track: Melbourne’s Stonefox Open Up on Intimate New EP ‘As You Fall In’

St Valentine © Johannes Greve Muskat
Debut, Features, Interviews, MusicAugust 20, 2020<August 20, 2020

Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine”

Bleach Lab © Isy Townsend
Columns, Debut, Music, Reviews, Today's SongAugust 20, 2020<August 20, 2020

Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream

Allman Brown © Flore Diamant
Interviews, Music, Reviews, Track-by-TrackAugust 19, 2020<August 19, 2020

Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self

Will Hyde © 2020
Music, PremieresAugust 19, 2020<August 19, 2020

Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.”

Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 13, 2020<August 13, 2020

Breaking the Record with Roan Yellowthorn, Part 27: Going Indie

SODA - Estes + Henley
Music, PremieresAugust 13, 2020<August 11, 2020

Premiere: Estes & HENLEY Team Up for Sweet n’ Summery, Freeing n’ Feelgood ‘SODA’ EP

Hedara
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Hedara Captures Anxiety in Poignant, Aching Confessional “Fire with Fire”

Lola Woman © 2020
Interviews, MusicAugust 11, 2020<August 10, 2020

Interview: Lola Young Dives into Her Empowering & Impassioned Ode, “Woman”

Atwood Magazine's Editor's Picks 38
Columns, Editor's Picks, MusicAugust 10, 2020<August 10, 2020

Editor’s Picks 38: Glass Animals, The Staves, Mt. Joy, Gordi, Cold War Kids, & Lewis Del Mar

Isaac Stuart
Music, PremieresAugust 10, 2020<August 12, 2020

“It’s me falling in love with the city”: UK Singer/Songwriter Isaac Stuart Debuts Dreamy “Camden Town”

Posts pagination
1 … 175 176 177 178 179 … 309

Recent Posts

  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services