• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Threads - Micah McCaw
Features, Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Micah McCaw Pulls at Faith’s Tangled Strings in ‘Threads’ EP

Delafaye © Julia Popp
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Delafaye’s “These Days” Finds Peace in the Storm

Caroline Kole © 2018
Music, PremieresJuly 13, 2018<July 13, 2018

Premiere: Caroline Kole Asks “What If” with Electro-Pop Brilliance and Bravado

The Belle Sounds © Barbara Frigiere
Music, Music Videos, PremieresJuly 13, 2018<July 13, 2018

Premiere: The Belle Sounds’ Provocative “Like a Villain” Gets Intimate with Anxiety

Parrot Dream © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

Premiere: Lush Wonder in Parrot Dream’s “Light Goes (In Mines)”

Magic Bronson © Emery Becker
Music, PremieresJuly 12, 2018<July 12, 2018

First Play: Magic Bronson Keep it Going with “Knock It Off”

Mirror Gazing - The Fur Coats
Features, Music, PremieresJuly 12, 2018<July 12, 2018

EP Premiere: The Fur Coats’ Lush ‘Mirror Gazing EP’ Strips Life to the Core

Vacation Forever © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

EP Premiere: The Dreamy, Euphoric Hypnosis of Vacation Forever’s Debut ‘EP 1’

Dorothy Martin © 2018
Features, Interviews, MusicJuly 12, 2018<October 18, 2018

Freedom, Adrenaline, and Inspiration: An Interview with Dorothy

UHURU © Rebecca Ferguson
Music, PremieresJuly 11, 2018<July 10, 2018

Premiere: The Anthemic Glitz & Emotional Glam of UHURU’s “Riddle”

yOya © Bread's Kid
Music, PremieresJuly 10, 2018<July 10, 2018

Premiere: The Mellow Nostalgia of yOya’s “When the World Was Young”

Beacon - Harrison Lipton still
Music, Music Videos, PremieresJuly 10, 2018<December 9, 2023

Premiere: Harrison Lipton Explores Intimate Depths in Glowing “Beacon”

Kylland © 2018
Music, Music Videos, PremieresJuly 10, 2018<July 10, 2018

Premiere: Kylland’s Self-Empowering Anthem “Make Your Own Magic” ft. Josiah Johnson

Fickle Friends © Polydor Records
Debut, Features, Interviews, Music, Music Videos, PremieresJuly 10, 2018<August 9, 2018

Premiere: Fickle Friends Master Pop Passion & Intimate Depth in “Heartbroken (Acoustic)” ft. Amber Run

This Wild Life © Alex Bemis
Music, Music Videos, PremieresJuly 10, 2018<July 10, 2018

Premiere: This Wild Life’s “Catie Rae” Is a True, Unabridged Love Song

Posts pagination
1 … 220 221 222 223 224 … 290

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services