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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Brett Altman © Phil Silverberg
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: “Is He Thinking of You,” Brett Altman’s Non-Traditional Breakup Song

Arts Fishing Club © Alex Justice
Music, PremieresSeptember 5, 2018<December 13, 2022

Premiere: Deflating Egos with Arts Fishing Club’s Wily “Icarus”

Royal Teeth © Jakob Wandel
Features, Interviews, Music, ReviewsSeptember 5, 2018<October 10, 2018

Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change

TREY © 2018
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Ambience & Acceptance in TREY’s Intimate “Outofline”

Salim Nourallah © Casey Pinckard
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Salim Nourallah’s Hopelessly Romantic “Rainbow Dolphins”

Pink Skies © Shabnam Ferdowsi
Music, Music Videos, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Social Media, Addiction, and Zombies in Pink Skies’ “Just to Get By”

Coyote Choir - Sing!
Debut, Music, Music Videos, PremieresAugust 31, 2018<August 31, 2018

Premiere: Come on and “Sing!” with Coyote Choir’s Inspiring Debut Single

Neurons - Ecstatic Union album art
Features, Music, PremieresAugust 30, 2018<August 30, 2018

Album Premiere: Connecting with the Euphoric, Sensual Energy of Ecstatic Union’s ‘Neurons’

Blue Light - Mr. Carnivore
Debut, Features, Music, PremieresAugust 30, 2018<September 13, 2018

Album Premiere: The Raw Meat of Mr. Carnivore’s Passionate Debut ‘Blue Light’

Humble Braggers © 2018
Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: Humble Braggers’ Decadent Dance-Pop Song “Am I Okay”

Jennifer Denali © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: Sultry Soul and Suffering in Jennifer Denali’s Passionate Debut “Painkiller”

This Is a Journal - H. Kenneth
Debut, Features, Music, PremieresAugust 29, 2018<August 29, 2018

Album Premiere: A Taste of Life in H. Kenneth’s Vibrant Debut ‘This Is a Journal’

Tinx © Emma Viola Lilja
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Tinx’s Sultry & Aching “Gimme” Is Pure Pop Seduction

Con Davison © Rob Hull
Music, PremieresAugust 29, 2018<August 28, 2018

Premiere: Con Davison’s Invigorating “Talk” Is a Breath of Fresh Air

Upstairs Open © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: The Tragic Cry of Upstairs Open’s Feelgood “Silence”

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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