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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

When I'm With You - Tiny Stills
Music, Music Videos, PremieresApril 30, 2018<April 30, 2018

Premiere: Tiny Stills’ Unapologetic “When I’m With You” Embraces Euphoric Love

Until Your Season Dries - When 'Airy Met Fairy
Music, Music Videos, PremieresApril 30, 2018<April 30, 2018

Premiere: Sink or Swim in When ‘Airy Met Fairy’s Haunting “Until Your Season Dries”

Sydney Wright © 2018
Music, PremieresApril 30, 2018<April 30, 2018

Premiere: Sydney Wright’s Transcendent “Seiche” Empowers and Ignites

UT Kirin © 2018
Music, PremieresApril 27, 2018<April 27, 2018

Premiere: UT Kirin’s Overwhelming, Psychedelic “Hammered at the Housewarming”

Von Sell © 2018
Features, Interviews, Music, PremieresApril 27, 2018<April 30, 2018

Premiere: Indulge in “Digital Sleep,” Von Sell’s Surreal Wake-Up Call

Wealthy West © Stefanie Rawlinson
Features, Music, ReviewsApril 27, 2018<June 1, 2018

Feature: The Wealthy West Dives into Soul-Stirring Depths on ‘The Right Regrets’

Lisa/Liza © Brian Doody
Music, ReviewsApril 27, 2018<April 27, 2018

Review: Coping with Trauma in Lisa/Liza’s Hauntingly Raw ‘Barn Coat’ EP

NEWMEN © Samira Lamprecht
Music, PremieresApril 27, 2018<April 26, 2018

Premiere: NEWMEN Seduce and Indulge in Pulsing “Trivial Pursuit”

Youngblood © Mandy Lyn Antoniou
Music, Music Videos, PremieresApril 26, 2018<April 26, 2018

Premiere: Love, Lust & Longing in Youngblood’s “Better When You’re Close”

Geographer © 2018
Music, Music Videos, PremieresApril 26, 2018<April 26, 2018

Video Premiere: Geographer’s “Lonely” Dwells in Intimate Reflection

Metal Mother © Kristen Cofer
Music, PremieresApril 26, 2018<April 25, 2018

Premiere: Metal Mother Embraces Mutation in “Pris,” a Passionate Surrender

Kyan Palmer & Haley Vassar © Jennifer Bush
Music, PremieresApril 26, 2018<April 26, 2018

Premiere: Love, Loss and Broken Hearts in Kyan Palmer & Haley Vassar’s “Somebody Else”

ethansroom © 2018
Music, PremieresApril 26, 2018<April 26, 2018

Premiere: “To Geneva,” ethansroom’s Poignant, Bittersweet Goodbye

Airpark © Melissa Madison Fuller
Features, Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Airpark’s “Yours Till I Die” Is the Perfect Love Song

Jared Minnix © 2018
Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Distress Colors Jared Minnix’s Heartwrenching “Too Tired”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
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  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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