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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Without You I'm Just a Body - Skylar Fri
Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Skylar Fri’s Lonely Hearts Anthem “Without You I’m Just a Body”

Ashes of a Day Gone By - Oliver the Crow
Music, Music Videos, PremieresApril 24, 2018<April 25, 2018

Video Premiere: Oliver the Crow Fight MAGA with “Ashes of a Day Gone By”

Awards - Porlolo © Jamie Gershen
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Porlolo Fans the Fire in Fight Song “Awards”

Some Professional Help © 2018
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Communication is Key to Some Professional Help’s “In My Place”

Baerd © Michelle Coco
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Baerd’s Vivid “Crete,” a Mythic Alt-Folk Adventure

Harrison Lipton © 2018
Debut, Music, PremieresApril 23, 2018<April 23, 2018

Premiere: Harrison Lipton Basks in “Clouds” of Euphoria & Sorrow

Lord Huron © Pamela Littky
Features, Music, Our Take, ReviewsApril 20, 2018<April 20, 2018

Our Take: Lord Huron’s Mystic ‘Vide Noir’ Dwells in Darkness & Cosmic Dreams

Gabriella Vixen © 2018
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Finding Strength in Gabriella Vixen’s Aching & Assertive “Maybe”

Rainbows - Kirsten Collins
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Kirsten Collins’ Dazzling “Rainbows” Basks in Hazy Pop Reverie

McAllister © Chris Hardy
Music, PremieresApril 19, 2018<April 26, 2018

Premiere: McAllister’s Intimate “Confidence in Sadness” Lights a Spark in the Dark

Restless Modern © Hannah Allchurch
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: Restless Modern’s Soul-Stirring “Doubt” Aches with Dreams & Fears

Shana Halligan © 2018
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: The Sultry Sorrow of Shana Halligan’s Seductive “Hurricane”

Wesley Jensen © Bailey Dale
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: A Jubilant Cacophony in Wesley Jensen & The Penny Arcade’s “Everything”

The Glorious © Holly Hawkins
Music, PremieresApril 17, 2018<April 15, 2024

Premiere: The Glorious Embrace the Moment in “Last Game of the Season”

Danny Godwin © Steven Schultz
Music, PremieresApril 17, 2018<April 17, 2018

Premiere: Heartache & Yearning in Godwin’s Love Song, “Side”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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