• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ziggy Alberts © Zach Sanders @stuckonarockphoto
Music, PremieresMay 16, 2018<May 29, 2018

Premiere: Ziggy Alberts’ “Love Me Now” Aches with Passion & Pain

Occlusions © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Occlusions Enchant and Indulge in “Become” & “Too Much”

Ward © 2018
Music, PremieresMay 16, 2018<May 15, 2018

Premiere: The Solemn Surrender of Ward’s “Soothe the Soul”

Nina Nesbitt © Wolf James // Sun Will Come Up
Features, Interviews, Music, ReviewsMay 15, 2018<June 12, 2018

Interview: Nina Nesbitt Dives into “The Sun Will Come Up, The Seasons Will Change”

Welshly Arms © Peter Larson
Features, Interviews, MusicMay 15, 2018<May 15, 2018

Interview: Welshly Arms Go “Down to the River” with Epic Glory

Family and Friends © Chelsea Kornse
Music, PremieresMay 15, 2018<May 15, 2018

Premiere: Family And Friends Come of Age in Fiery “PRSM”

Emily - Kim Anderson © Arielle Apfel
Music, Music Videos, PremieresMay 14, 2018<May 14, 2018

Premiere: Connection & Identity in Kim Anderson’s Driving Folk Ballad “Emily”

Feels - Rush Week
Debut, Features, Interviews, MusicMay 14, 2018<May 14, 2018

Feeling All the Feels: A Conversation with Rush Week

Seven Eight - Deanna Devore
Music, PremieresMay 14, 2018<May 14, 2018

Premiere: Deanna Devore’s Hypnotic, Heavy-Hearted “Seven Eight”

TENDERFOOT © Ash King
Music, Music Videos, PremieresMay 11, 2018<May 29, 2018

Premiere: Raise a Glass with Tenderfoot’s “She Calls,” an Ode to Good Times

RAPHAELLA © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: The Euphoric Rush of Raphaella’s “Love-Sick”

Nausica © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Nausica Indulge in Hazy Shadows on Dreamy “Black & White”

Grace Ackerman © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Grace Ackerman Struggles to Keep “Faith” with Dark Passion

Aquilo © Graham Walzer
Features, Interviews, MusicMay 10, 2018<May 10, 2018

Interview with Aquilo: An Intimate and Moving Evolution

Dead Eyes - Dusted
Music, Music Videos, PremieresMay 9, 2018<May 9, 2018

Premiere: Conviction & Commital in Dusted’s Cinematic “Dead Eyes” Video

Posts pagination
1 … 235 236 237 238 239 … 299

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services